Past Events



Penn Chorale

Fall Concert
Dec 3, 2023 at - | St. Mary’s Church, 3916 Locust Walk Philadelphia, PA 19104

Although it's only a week removed from Thanksgiving, Penn Chorale invite you to turn your musical hearts and minds ahead to the Christmas season.



Penn Wind Ensemble

Holiday Concert
Dec 2, 2023 at - | Irvine Auditorium - Main Hall, 3401 Spruce Street Philadelphia, PA 19104

Get into the holiday spirit with the University of Pennsylvania Wind Ensemble. This performance is free and open to the public. 



Penn Chamber

Winter Concert
Dec 2, 2023 at - | Fisher-Bennett Hall - Rose Recital Hall, Room 419, 4th Floor, 3340 Walnut Street Philadelphia, PA 19104

This concert is free and open to the public.



Penn Flutes "Vintage Holiday"

Dec 2, 2023 at - | Penn Museum, 3260 South St Philadelphia, PA 19104

Join Penn Flutes as they present "Vintage Holiday."



Penn Chamber

Winter Concert
Dec 1, 2023 at - | Fisher-Bennett Hall - Rose Recital Hall, Room 419, 4th Floor, 3340 Walnut Street Philadelphia, PA 19104

This concert is free and open to the public.



Music and Friendship in 18th-Century Philadelphia

Music in the Pavilion Series
Nov 30, 2023 at - | Van Pelt-Dietrich Library Center - Class of 1978 Orrery Pavilion, Kislak Center, 6th floor, 3420 Walnut Street Philadelphia, PA 19104

In this program, the Raritan Players, led by Rebecca Cypess, explore music in private circles in 18th-century Philadelphia--especially in the salon of Elizabeth Graeme Fergusson, hostess of the first literary salon in America.



The “Tea Tray:” Nass el Ghiwane, Popular Music, and the Sound of Protest in Morocco (1970s-1990s)

Colloquium Lecture by Alessandra Ciucci
Nov 28, 2023 at - | Penn Music Building - Lerner 101, 201 S. 34th Street Philadelphia, PA 19104

Alessandra Ciucci presents her current project where she posits that in order to understand the effectiveness of the songs of Nass el Ghiwane it is critical to examine their musicopoetic assemblage with its rich web of citations and intertextual references, and to acknowledge the force of the band’s sound that Moroccans heard as “revolutionary” (thəuri) and with a “protest tone” (nəbra ḥtjajiya).