April 20, 2023 (Thursday) — 7:00 pm to 9:00 pm
Harold Prince Theatre
Penn Live Arts/Annenberg Center for the Performing Arts
3680 Walnut St.
University of Pennsylvania
The Penn Sound Collective presents 7 new works written for the TAK Ensemble, which premiers at Penn Live Arts on April 20th, 2023. During their year-long residency with composers at the University of Pennsylvania, the TAK Ensemble visited several undergraduate and graduate classes, led open workshops on their creative process and previous collaborations, and workshopped new works by Penn composers. It was a joy for our composers to welcome Charlotte, Marina, Madison, Laura, and Ellery to Penn campus for this year-long residency, and we invite you to join us for the premieres!
This concert is free and open to the public.
Regarded as “one of the most prominent ensembles in the United States practicing truly experimental music” (I Care If You Listen), TAK delivers energetic performances "that combine crystalline clarity with the disorienting turbulence of a sonic vortex” (The WIRE), and “impresses with the organicity of their sound, their dynamism and virtuosity” (New Sounds, WQXR).
Founded on the principles of curiosity, change, and caring communication, TAK is dedicated to the commissioning of new works and direct collaboration with composers and other artists and they have premiered hundreds of works to date. TAK is Laura Cocks, flute; Madison Greenstone, clarinet; Charlotte Mundy, voice; Marina Kifferstein, violin; Ellery Trafford, percussion.
2022-2023 marks TAK’s 10th anniversary season, celebrating a decade of cultivating creative programming at the highest level. Upcoming projects include a new commission from Tyshawn Sorey to be premiered at Lincoln Center in fall 2022, commissions from Michelle Lou and DM R with Joy Guidry to be premiered at TAK’s 10th anniversary celebration in May 2023, and new works from Eric Wubbels, Seth Cluett, Natacha Diels, Bryan Jacobs, Elaine Mitchener, Ann Cleare, Weston Olencki, and Jessie Cox. This season will also see the release of TAK's first collaboratively composed work on dinzu artefacts.
The quintet has released seven albums to critical acclaim; recent records have been described as “sublime art… a masterpiece,” (AnEarful), and “one of the most distinct and eclectic releases of the year” (I Care If You Listen). Their recorded output fosters a “deep sense of connection and communication” (Bandcamp Daily), and features collaborations with Mario Diaz de Leon, Taylor Brook, Erin Gee, Brandon López, Ann Cleare, Tyshawn Sorey, Natacha Diels, Scott L. Miller, David Bird, and Ashkan Behzadi. Their most recent release, Love, Crystal and Stone brought together composer Ashkan Behzadi, scholar Saharnaz Samaienejad, painter Mehrdad Jafari, and design-house Sonnenzimmer to fuse poetry, visual art, original essays, and music into an experience-based hybrid publication. The ensemble’s 2019 album Oor launched their in-house media label, TAK editions, that aims to support recorded musical endeavors from across the experimental music communities, highlighting direct conversations with artists through the TAK editions Podcast. Recent TAK editions releases have included those of Ensemble Interactivo de La Habana, Ensemble Pamplemousse, Nina Dante + Bethany Younge, and several of TAK’s own recordings.
Deeply committed to educational collaborations, TAK has conducted residencies at institutions such as Harvard University, Stanford University, Columbia University, Oberlin Conservatory, Cornell University, Wesleyan University, New York University, The Delian Academy for New Music, and many others. The ensemble has also collaborated with the New York Philharmonic’s Very Young Composers Program and Juilliard’s Music Advancement Program. TAK is currently the Long-term Visiting Ensemble in Residence at University of Pennsylvania.
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