The University of Pennsylvania Symphony Orchestra was founded in 1878 and is comprised of musicians from throughout the University community, primarily non-music majors. The ensemble rehearses for four hours each week and performs a diverse range of repertoire drawn from the eighteenth, nineteenth, and twentieth Centuries. The Penn Symphony Orchestra rehearses and performs in historic Irvine Auditorium on Penn’s Campus. Due to the increased number of student participation, the ensemble has expanded to two ensembles with rotating/interchangeable personnel.
Mondays and Thursdays, 6:00-8:00pm OR 7:00-9:15pm (sample schedule below); Irvine Auditorium
MONDAY
6pm, Ensemble A (Full rehearsal on stage)
7pm, Ensemble B (Sectionals led by principals)
7:45, Combined break
8pm, Ensemble B (Full rehearsal on stage)
9:15, END
THURSDAY
6pm, Ensemble B (Full rehearsal on stage)
7pm, Ensemble A (Sectionals led by principals)
7:45, Combined break
8pm, Ensemble A (Full rehearsal on stage)
9:15, END
Upcoming Events
Ode to Joy
Performance by Penn Symphony Orchestra with Penn Chorale and Penn Collegium Musicum
Hailed by Kurt Masur as "one of the most talented young conductors of his generation," THOMAS HONG enjoys the distinction of being one of many successful protégés of the great Maestro. Having won titled positions with the Dallas, Pittsburgh, and Seattle Symphony Orchestras as well as Orchestre National de France, Hong has conducted countless concerts with those orchestras, ranging from classical, community, education and pops concerts. Presently, he is the artistic director and conductor of the University of Pennsylvania Orchestras. Recent activities include being principal conductor for the inaugural season of the DSO on the "GO" series with the Dallas Symphony, performing in neighboring venues of the North Texas area, and a re-engagement with the Utah Symphony, where he was the conductor for the Gina Bachauer International Piano Competition in Salt Lake City.
Orchestras that Hong has conducted in the past include the Utah, Fort Worth, Virginia, Richmond, Spokane, and Winnepeg Symphonies as well as the Seoul, Buffalo, and Lutosławski Philharmonics. More recent invitations include the Berlin Symphony, North Czech Philharmonic Orchestra, Orchestra Sinfonica di Siciliana and Cairo Symphony Orchestra. Among his operatic and vocal performances are Copland's The Tenderland, Mahler's Das Lied von der Erde, Stravinsky's The Rake's Progress, and Donizetti's L'exisir d'Amore at the Wortham Opera Theatre in Houston. Awards that Hong has received include the Leopold Stokowski Felowship, the Whitaker Opera Prize and a residency aware by the Brahms society of Baden-Baden. His latest recording was from the show "From the Top" with pianist/host Christopher O'Riley and the DSO at the Meyerson Symphony Center.
Hong was born in Incheon, Korea and immigrated to the United States with his family. He began his musical training as a pianist with Dr. Samuel Hsu at Cairn University. Later, he went on to earn a Master's degree in choral conducting at Temple University and an artist diploma in orchestral conducting from The Curtis Institute of Music, studying with Maestros Alan Harler and Otto Werner Meuller, respectively. He concluded his artistic training with Larry Rachleff at Rice University's Shepherd School of Music. Currently, Hong lives in Philadelphia with his wife Rachel Ku and their daughter Esther.
Contact: hongthom@sas.upenn.edu
