Camae Ayewa (Moor Mother) premieres a new poem commissioned by the Arthur Ross Gallery in honor of Marian Anderson, the celebrated Philadelphia-native classical singer. In the process of creating this new poetic work, Ayewa conducted research through the Kislak Center for Special Collections, Rare Books and Manuscripts’ archive of Marian Anderson’s personal documents, published and unpublished interviews, ephemera, musical scores, and related archival materials. Ayewa will be accompanied by a new work specially composed for the occasion by frequent collaborator Keir Neuringer, informed by research of Marian Anderson’s personal musical score collection. Neuringer (saxophone) will be joined by Veronica MJ (viola) and Ashley Tini (vibraphone). This event is timed to coincide with Marian Anderson’s birthday of February 27th. Special thanks to the Center for Experimental Ethnography for additional support.


Admission is free; Click HERE for registration.


About Camae Ayewa

Camae Ayewa is a poet and the author of the book of poetry Fetish Bones, published by the Afrofuturist Affair (2016). Fetish Bones shares the same title as her debut album Fetish Bones by Moor Mother released on Don Giovanni Records. Her poetry is rooted in a practice she has created called “Anthropology of Consciousness,” which invokes an understanding that spiritual energy is not stagnant but continuous in every dimension as spiral and boundless information. Her poetry is ageless, intergenerational, and not outside of, but through the bounds of time. Her poetry recovers that which we have been forced to forget and realigns ancestral meridians that serve as our guides to our inner and outer worlds throughout existence.