Introduction to techniques of electronic composition.

Advanced techniques of score reading and general musicianship at the keyboard. Goals of the course include increasing proficiency in sight singing (including C clefs).Taking harmonic, melodic, and rhythmic dictations. Accurate performance of rhythms.

In recent years, artists and musicians have begun to recognize the need for the development of certain non-artistic skills that can assist them in taking more control over their careers. This course will help students develop an entrepreneurial mindset with regard to their careers, focusing on skills vital to idea generation and the implementation of ideas such as creative thinking, strategic and business planning, marketing, financial analysis/budgeting, and raising money. Through lectures and individual and group projects, students will gain the background and experience necessary to conceive of new ways to introduce the world to their artistic talents and the ability to execute those plans. Does not fulfill Music Major of Minor requirements.

Advanced seminar in topics in musicology.

Studies in selected 16th through 19th century compositional practices. Possible topics may include 16th century modal counterpoint; sonata forms in Viennese classicism; advanced chromatic harmony. Course includes analysis of relevant pieces and student compositional projects reflecting course topic.

Studies in selected 16th through 19th century compositional practices. Possible topics may include 16th century modal counterpoint; sonata forms in Viennese classicism; advanced chromatic harmony. Course includes analysis of relevant pieces and student compositional projects reflecting course topic.

Individual research under the supervision of a member of the faculty. Students who take Music 239 may not take Music 259 or 279. Prerequisite 130 and one other class from tier 1 or 2.

Individual research under the supervision of a member of the faculty. Students who take Music 239 may not take Music 259 or 279. Prerequisite 130 and one other class from tier 1 or 2.

Courses under this number will treat composer, performers, and performance. This class may also on occasion have a performance component, including collaborations with local performance venues, artists in residence. Courses will include a class on Haydn and Mozart (formerly 027); Beethoven (formerly 28); Mahler (formerly 25); Monks and Nuns; String Quartets.