Event



Music in the Pavilion presents: Les Canards Chantants

Les Canards Chantants
Feb 10, 2017 at - | Class of 1978 Orrery Pavilion

The University of Pennsylvania's Music Department and the Kislak Center for Special Collections, Rare Books and Manuscripts are proud to present a jointly sponsored music series for the 2016-2017 year: Music in the Pavilion. Taking place in the beautiful sixth-floor Class of 1978 Orrery Pavilion in Van Pelt Library, the series showcases an array of professional and international musicians, performing not only gems from standard concert repertoires, such as the piano works of Chopin, but also premiering works found only in the wealth of materials—print and manuscript—held in the Kislak Center's collection. 

All concerts are on Fridays at 7pm and are free of charge. Join us at 6:15pm for a discussion led by Penn faculty and graduate students.
To register, please visit the Kislak Center website.

 


Friday, February 10th 7pm
Les Canards Chantants

 

Les Canards Chantants is an American solo-voice ensemble performing renaissance polyphony, and known for their ‘elegant vocalism’ (Philadelphia Inquirer), ‘brilliant and moving programming’ (Early Music America) and ‘liveliness and theatricality’ (Boston Musical Intelligencer).

Founded in England while co-directors Robin and Graham Bier pursued their postgraduate graduate degrees early music, Les Canards Chantants made its debut in 2011 with a sold-out concert at the National Centre for Early Music in York, UK. The ensemble’s American debut at the 2015 Boston Early Music Festival Fringe, performing its now signature staged Italian madrigal program Sex, Drugs & Madrigals, was hailed as ‘some of the best Gesualdo and d’India you are likely to hear’ (Early Music America). Since then, the ‘Singing Ducks’ have established a home concert series in Philadelphia, USA, where they are Ensemble in Residence at Glencairn Museum, and have appeared in concert across the east coast, including collaborations with period instrument ensembles Piffaro and ACRONYM.

Les Canards Chantants has gained a reputation for daring presentation in concert, and for engaging with the most unusual repertoire from the Renaissance. They have appeared on BBC One Countryfile singing forbidden sixteenth century catholic polyphony, starred in a music video about the famous Eglantine Table at Hardwick Hall, received an Early Music American Outreach Grant for their immersive polychoral program and workshop 1.500 Surround Sound, and are working with Brown University and the Chemical Heritage Foundation on a new digital edition and recording of seventeenth century German musical-alchemical emblem book Atalanta Fugiens by Michael Maier.

Les Canards Chantants have released two CDs to date, and are also becoming known for their quirky music videos on YouTube. Their first CD, Two in the Bush, a collaboration with lutenist Jacob Heringman and lute-viol duo Pellingman’s Saraband, is an intimate interpretation of the sacred vocal music of the Catholic underground in Reformation England, recorded by solo voices with lute and viol in a historic family chapel. Their second CD, released in November 2016, is the world premier recording of Giovanni Valentini’s intense and experimental Secondo libro de madrigali, recorded in collaboration with baroque string band ACRONYM.

Event Series
Music in the Pavilion