| Title | Instructors | Location | Time | Description | Cross listings | Fulfills | Registration notes | Syllabus | Syllabus URL | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
| MUSC 005-001 | College Music Program | Bonnie C. Hoke-Scedrov | Private study in voice, keyboard, strings, woodwind, brass, percussion, and non-western instruments. Such study is designed to meet the artistic, technical, and/or professional needs of the student. Note: This is not a syllabus. Course requirements and assessment will be determined by the private instructor. Private lessons in the College House Music cannot be taken Pass/Fail. Please visit http://www.sas.upenn.edu/music/performance. Students cannot register through Penn In Touch. Registration will be maintained by the music department upon receipt of application and instructor permission. Prerequisite: Permits will be entred after student completes College Music House. Forms available in Music department. | Permission Needed From Department Crse Online: Sync & Async Components Audition Required Course Must Be Taken For A Grade |
https://pennintouchdaemon.apps.upenn.edu/pennInTouchProdDaemon/jsp/fast.do?webService=syllabus&term=2021A&course=MUSC005001 | ||||||
| MUSC 005-002 | College Music Program | Matthew S. Mccloskey | Private study in voice, keyboard, strings, woodwind, brass, percussion, and non-western instruments. Such study is designed to meet the artistic, technical, and/or professional needs of the student. Note: This is not a syllabus. Course requirements and assessment will be determined by the private instructor. Private lessons in the College House Music cannot be taken Pass/Fail. Please visit http://www.sas.upenn.edu/music/performance. Students cannot register through Penn In Touch. Registration will be maintained by the music department upon receipt of application and instructor permission. Prerequisite: Permits will be entred after student completes College Music House. Forms available in Music department. | Permission Needed From Department Crse Online: Sync & Async Components |
https://pennintouchdaemon.apps.upenn.edu/pennInTouchProdDaemon/jsp/fast.do?webService=syllabus&term=2021A&course=MUSC005002 | ||||||
| MUSC 005-003 | College Music Program | Michal Schmidt | Private study in voice, keyboard, strings, woodwind, brass, percussion, and non-western instruments. Such study is designed to meet the artistic, technical, and/or professional needs of the student. Note: This is not a syllabus. Course requirements and assessment will be determined by the private instructor. Private lessons in the College House Music cannot be taken Pass/Fail. Please visit http://www.sas.upenn.edu/music/performance. Students cannot register through Penn In Touch. Registration will be maintained by the music department upon receipt of application and instructor permission. Prerequisite: Permits will be entred after student completes College Music House. Forms available in Music department. | Permission Needed From Department Crse Online: Sync & Async Components |
https://pennintouchdaemon.apps.upenn.edu/pennInTouchProdDaemon/jsp/fast.do?webService=syllabus&term=2021A&course=MUSC005003 | ||||||
| MUSC 005-004 | College Music Program | Min-Young Kim | Private study in voice, keyboard, strings, woodwind, brass, percussion, and non-western instruments. Such study is designed to meet the artistic, technical, and/or professional needs of the student. Note: This is not a syllabus. Course requirements and assessment will be determined by the private instructor. Private lessons in the College House Music cannot be taken Pass/Fail. Please visit http://www.sas.upenn.edu/music/performance. Students cannot register through Penn In Touch. Registration will be maintained by the music department upon receipt of application and instructor permission. Prerequisite: Permits will be entred after student completes College Music House. Forms available in Music department. | Permission Needed From Department Crse Online: Sync & Async Components |
https://pennintouchdaemon.apps.upenn.edu/pennInTouchProdDaemon/jsp/fast.do?webService=syllabus&term=2021A&course=MUSC005004 | ||||||
| MUSC 005-005 | College Music Program | Joshua R Orlando | Private study in voice, keyboard, strings, woodwind, brass, percussion, and non-western instruments. Such study is designed to meet the artistic, technical, and/or professional needs of the student. Note: This is not a syllabus. Course requirements and assessment will be determined by the private instructor. Private lessons in the College House Music cannot be taken Pass/Fail. Please visit http://www.sas.upenn.edu/music/performance. Students cannot register through Penn In Touch. Registration will be maintained by the music department upon receipt of application and instructor permission. Prerequisite: Permits will be entred after student completes College Music House. Forms available in Music department. | Permission Needed From Department Crse Online: Sync & Async Components |
https://pennintouchdaemon.apps.upenn.edu/pennInTouchProdDaemon/jsp/fast.do?webService=syllabus&term=2021A&course=MUSC005005 | ||||||
| MUSC 005-006 | College Music Program | Adela A. Pena | Private study in voice, keyboard, strings, woodwind, brass, percussion, and non-western instruments. Such study is designed to meet the artistic, technical, and/or professional needs of the student. Note: This is not a syllabus. Course requirements and assessment will be determined by the private instructor. Private lessons in the College House Music cannot be taken Pass/Fail. Please visit http://www.sas.upenn.edu/music/performance. Students cannot register through Penn In Touch. Registration will be maintained by the music department upon receipt of application and instructor permission. Prerequisite: Permits will be entred after student completes College Music House. Forms available in Music department. | Permission Needed From Department Crse Online: Sync & Async Components |
https://pennintouchdaemon.apps.upenn.edu/pennInTouchProdDaemon/jsp/fast.do?webService=syllabus&term=2021A&course=MUSC005006 | ||||||
| MUSC 005-007 | College Music Program | Courtney A. Ames | Private study in voice, keyboard, strings, woodwind, brass, percussion, and non-western instruments. Such study is designed to meet the artistic, technical, and/or professional needs of the student. Note: This is not a syllabus. Course requirements and assessment will be determined by the private instructor. Private lessons in the College House Music cannot be taken Pass/Fail. Please visit http://www.sas.upenn.edu/music/performance. Students cannot register through Penn In Touch. Registration will be maintained by the music department upon receipt of application and instructor permission. Prerequisite: Permits will be entred after student completes College Music House. Forms available in Music department. | Permission Needed From Department Crse Online: Sync & Async Components |
https://pennintouchdaemon.apps.upenn.edu/pennInTouchProdDaemon/jsp/fast.do?webService=syllabus&term=2021A&course=MUSC005007 | ||||||
| MUSC 005-008 | College Music Program | Brendan A. Evans | Private study in voice, keyboard, strings, woodwind, brass, percussion, and non-western instruments. Such study is designed to meet the artistic, technical, and/or professional needs of the student. Note: This is not a syllabus. Course requirements and assessment will be determined by the private instructor. Private lessons in the College House Music cannot be taken Pass/Fail. Please visit http://www.sas.upenn.edu/music/performance. Students cannot register through Penn In Touch. Registration will be maintained by the music department upon receipt of application and instructor permission. Prerequisite: Permits will be entred after student completes College Music House. Forms available in Music department. | Permission Needed From Department Crse Online: Sync & Async Components |
https://pennintouchdaemon.apps.upenn.edu/pennInTouchProdDaemon/jsp/fast.do?webService=syllabus&term=2021A&course=MUSC005008 | ||||||
| MUSC 005-009 | College Music Program | David M. Mattock | Private study in voice, keyboard, strings, woodwind, brass, percussion, and non-western instruments. Such study is designed to meet the artistic, technical, and/or professional needs of the student. Note: This is not a syllabus. Course requirements and assessment will be determined by the private instructor. Private lessons in the College House Music cannot be taken Pass/Fail. Please visit http://www.sas.upenn.edu/music/performance. Students cannot register through Penn In Touch. Registration will be maintained by the music department upon receipt of application and instructor permission. Prerequisite: Permits will be entred after student completes College Music House. Forms available in Music department. | Permission Needed From Department Crse Online: Sync & Async Components |
https://pennintouchdaemon.apps.upenn.edu/pennInTouchProdDaemon/jsp/fast.do?webService=syllabus&term=2021A&course=MUSC005009 | ||||||
| MUSC 005-010 | College Music Program | Courtney Orlando-Dennehy | Private study in voice, keyboard, strings, woodwind, brass, percussion, and non-western instruments. Such study is designed to meet the artistic, technical, and/or professional needs of the student. Note: This is not a syllabus. Course requirements and assessment will be determined by the private instructor. Private lessons in the College House Music cannot be taken Pass/Fail. Please visit http://www.sas.upenn.edu/music/performance. Students cannot register through Penn In Touch. Registration will be maintained by the music department upon receipt of application and instructor permission. Prerequisite: Permits will be entred after student completes College Music House. Forms available in Music department. | Permission Needed From Department Crse Online: Sync & Async Components |
https://pennintouchdaemon.apps.upenn.edu/pennInTouchProdDaemon/jsp/fast.do?webService=syllabus&term=2021A&course=MUSC005010 | ||||||
| MUSC 005-011 | College Music Program | Daniel M Paul | Private study in voice, keyboard, strings, woodwind, brass, percussion, and non-western instruments. Such study is designed to meet the artistic, technical, and/or professional needs of the student. Note: This is not a syllabus. Course requirements and assessment will be determined by the private instructor. Private lessons in the College House Music cannot be taken Pass/Fail. Please visit http://www.sas.upenn.edu/music/performance. Students cannot register through Penn In Touch. Registration will be maintained by the music department upon receipt of application and instructor permission. Prerequisite: Permits will be entred after student completes College Music House. Forms available in Music department. | Permission Needed From Department Crse Online: Sync & Async Components |
https://pennintouchdaemon.apps.upenn.edu/pennInTouchProdDaemon/jsp/fast.do?webService=syllabus&term=2021A&course=MUSC005011 | ||||||
| MUSC 005-012 | College Music Program | Ramsey D Reyes | Private study in voice, keyboard, strings, woodwind, brass, percussion, and non-western instruments. Such study is designed to meet the artistic, technical, and/or professional needs of the student. Note: This is not a syllabus. Course requirements and assessment will be determined by the private instructor. Private lessons in the College House Music cannot be taken Pass/Fail. Please visit http://www.sas.upenn.edu/music/performance. Students cannot register through Penn In Touch. Registration will be maintained by the music department upon receipt of application and instructor permission. Prerequisite: Permits will be entred after student completes College Music House. Forms available in Music department. | Permission Needed From Department Crse Online: Sync & Async Components |
https://pennintouchdaemon.apps.upenn.edu/pennInTouchProdDaemon/jsp/fast.do?webService=syllabus&term=2021A&course=MUSC005012 | ||||||
| MUSC 005-013 | College Music Program | Patricia J. Raine | Private study in voice, keyboard, strings, woodwind, brass, percussion, and non-western instruments. Such study is designed to meet the artistic, technical, and/or professional needs of the student. Note: This is not a syllabus. Course requirements and assessment will be determined by the private instructor. Private lessons in the College House Music cannot be taken Pass/Fail. Please visit http://www.sas.upenn.edu/music/performance. Students cannot register through Penn In Touch. Registration will be maintained by the music department upon receipt of application and instructor permission. Prerequisite: Permits will be entred after student completes College Music House. Forms available in Music department. | Permission Needed From Department Crse Online: Sync & Async Components |
https://pennintouchdaemon.apps.upenn.edu/pennInTouchProdDaemon/jsp/fast.do?webService=syllabus&term=2021A&course=MUSC005013 | ||||||
| MUSC 005-014 | College Music Program | Brian B. Carter | Private study in voice, keyboard, strings, woodwind, brass, percussion, and non-western instruments. Such study is designed to meet the artistic, technical, and/or professional needs of the student. Note: This is not a syllabus. Course requirements and assessment will be determined by the private instructor. Private lessons in the College House Music cannot be taken Pass/Fail. Please visit http://www.sas.upenn.edu/music/performance. Students cannot register through Penn In Touch. Registration will be maintained by the music department upon receipt of application and instructor permission. Prerequisite: Permits will be entred after student completes College Music House. Forms available in Music department. | Permission Needed From Department Crse Online: Sync & Async Components |
https://pennintouchdaemon.apps.upenn.edu/pennInTouchProdDaemon/jsp/fast.do?webService=syllabus&term=2021A&course=MUSC005014 | ||||||
| MUSC 005-015 | College Music Program | Michael J. Sheadel | Private study in voice, keyboard, strings, woodwind, brass, percussion, and non-western instruments. Such study is designed to meet the artistic, technical, and/or professional needs of the student. Note: This is not a syllabus. Course requirements and assessment will be determined by the private instructor. Private lessons in the College House Music cannot be taken Pass/Fail. Please visit http://www.sas.upenn.edu/music/performance. Students cannot register through Penn In Touch. Registration will be maintained by the music department upon receipt of application and instructor permission. Prerequisite: Permits will be entred after student completes College Music House. Forms available in Music department. | Permission Needed From Department Crse Online: Sync & Async Components |
https://pennintouchdaemon.apps.upenn.edu/pennInTouchProdDaemon/jsp/fast.do?webService=syllabus&term=2021A&course=MUSC005015 | ||||||
| MUSC 005-016 | College Music Program | Angela Gilbert | Private study in voice, keyboard, strings, woodwind, brass, percussion, and non-western instruments. Such study is designed to meet the artistic, technical, and/or professional needs of the student. Note: This is not a syllabus. Course requirements and assessment will be determined by the private instructor. Private lessons in the College House Music cannot be taken Pass/Fail. Please visit http://www.sas.upenn.edu/music/performance. Students cannot register through Penn In Touch. Registration will be maintained by the music department upon receipt of application and instructor permission. Prerequisite: Permits will be entred after student completes College Music House. Forms available in Music department. | Permission Needed From Department Crse Online: Sync & Async Components |
https://pennintouchdaemon.apps.upenn.edu/pennInTouchProdDaemon/jsp/fast.do?webService=syllabus&term=2021A&course=MUSC005016 | ||||||
| MUSC 005-017 | College Music Program | Allison J. Herz | Private study in voice, keyboard, strings, woodwind, brass, percussion, and non-western instruments. Such study is designed to meet the artistic, technical, and/or professional needs of the student. Note: This is not a syllabus. Course requirements and assessment will be determined by the private instructor. Private lessons in the College House Music cannot be taken Pass/Fail. Please visit http://www.sas.upenn.edu/music/performance. Students cannot register through Penn In Touch. Registration will be maintained by the music department upon receipt of application and instructor permission. Prerequisite: Permits will be entred after student completes College Music House. Forms available in Music department. | Permission Needed From Department Crse Online: Sync & Async Components |
https://pennintouchdaemon.apps.upenn.edu/pennInTouchProdDaemon/jsp/fast.do?webService=syllabus&term=2021A&course=MUSC005017 | ||||||
| MUSC 005-018 | College Music Program | Edmond W Chan | Private study in voice, keyboard, strings, woodwind, brass, percussion, and non-western instruments. Such study is designed to meet the artistic, technical, and/or professional needs of the student. Note: This is not a syllabus. Course requirements and assessment will be determined by the private instructor. Private lessons in the College House Music cannot be taken Pass/Fail. Please visit http://www.sas.upenn.edu/music/performance. Students cannot register through Penn In Touch. Registration will be maintained by the music department upon receipt of application and instructor permission. Prerequisite: Permits will be entred after student completes College Music House. Forms available in Music department. | Permission Needed From Department Crse Online: Sync & Async Components |
https://pennintouchdaemon.apps.upenn.edu/pennInTouchProdDaemon/jsp/fast.do?webService=syllabus&term=2021A&course=MUSC005018 | ||||||
| MUSC 005-019 | College Music Program | Yuko Izuhara Gordon | Private study in voice, keyboard, strings, woodwind, brass, percussion, and non-western instruments. Such study is designed to meet the artistic, technical, and/or professional needs of the student. Note: This is not a syllabus. Course requirements and assessment will be determined by the private instructor. Private lessons in the College House Music cannot be taken Pass/Fail. Please visit http://www.sas.upenn.edu/music/performance. Students cannot register through Penn In Touch. Registration will be maintained by the music department upon receipt of application and instructor permission. Prerequisite: Permits will be entred after student completes College Music House. Forms available in Music department. | Permission Needed From Department Crse Online: Sync & Async Components |
https://pennintouchdaemon.apps.upenn.edu/pennInTouchProdDaemon/jsp/fast.do?webService=syllabus&term=2021A&course=MUSC005019 | ||||||
| MUSC 005-020 | College Music Program | Michael Ketner | Private study in voice, keyboard, strings, woodwind, brass, percussion, and non-western instruments. Such study is designed to meet the artistic, technical, and/or professional needs of the student. Note: This is not a syllabus. Course requirements and assessment will be determined by the private instructor. Private lessons in the College House Music cannot be taken Pass/Fail. Please visit http://www.sas.upenn.edu/music/performance. Students cannot register through Penn In Touch. Registration will be maintained by the music department upon receipt of application and instructor permission. Prerequisite: Permits will be entred after student completes College Music House. Forms available in Music department. | Permission Needed From Department Crse Online: Sync & Async Components |
https://pennintouchdaemon.apps.upenn.edu/pennInTouchProdDaemon/jsp/fast.do?webService=syllabus&term=2021A&course=MUSC005020 | ||||||
| MUSC 005-021 | College Music Program | Joanna Pascale | Private study in voice, keyboard, strings, woodwind, brass, percussion, and non-western instruments. Such study is designed to meet the artistic, technical, and/or professional needs of the student. Note: This is not a syllabus. Course requirements and assessment will be determined by the private instructor. Private lessons in the College House Music cannot be taken Pass/Fail. Please visit http://www.sas.upenn.edu/music/performance. Students cannot register through Penn In Touch. Registration will be maintained by the music department upon receipt of application and instructor permission. Prerequisite: Permits will be entred after student completes College Music House. Forms available in Music department. | Permission Needed From Department Crse Online: Sync & Async Components |
https://pennintouchdaemon.apps.upenn.edu/pennInTouchProdDaemon/jsp/fast.do?webService=syllabus&term=2021A&course=MUSC005021 | ||||||
| MUSC 005-022 | College Music Program | Thomas E Kraines | Private study in voice, keyboard, strings, woodwind, brass, percussion, and non-western instruments. Such study is designed to meet the artistic, technical, and/or professional needs of the student. Note: This is not a syllabus. Course requirements and assessment will be determined by the private instructor. Private lessons in the College House Music cannot be taken Pass/Fail. Please visit http://www.sas.upenn.edu/music/performance. Students cannot register through Penn In Touch. Registration will be maintained by the music department upon receipt of application and instructor permission. Prerequisite: Permits will be entred after student completes College Music House. Forms available in Music department. | Permission Needed From Department Crse Online: Sync & Async Components |
https://pennintouchdaemon.apps.upenn.edu/pennInTouchProdDaemon/jsp/fast.do?webService=syllabus&term=2021A&course=MUSC005022 | ||||||
| MUSC 005-023 | College Music Program | Matthew D Clayton | Private study in voice, keyboard, strings, woodwind, brass, percussion, and non-western instruments. Such study is designed to meet the artistic, technical, and/or professional needs of the student. Note: This is not a syllabus. Course requirements and assessment will be determined by the private instructor. Private lessons in the College House Music cannot be taken Pass/Fail. Please visit http://www.sas.upenn.edu/music/performance. Students cannot register through Penn In Touch. Registration will be maintained by the music department upon receipt of application and instructor permission. Prerequisite: Permits will be entred after student completes College Music House. Forms available in Music department. | Permission Needed From Department Crse Online: Sync & Async Components |
https://pennintouchdaemon.apps.upenn.edu/pennInTouchProdDaemon/jsp/fast.do?webService=syllabus&term=2021A&course=MUSC005023 | ||||||
| MUSC 005-024 | College Music Program | Gideon Andrew Whitehead | Private study in voice, keyboard, strings, woodwind, brass, percussion, and non-western instruments. Such study is designed to meet the artistic, technical, and/or professional needs of the student. Note: This is not a syllabus. Course requirements and assessment will be determined by the private instructor. Private lessons in the College House Music cannot be taken Pass/Fail. Please visit http://www.sas.upenn.edu/music/performance. Students cannot register through Penn In Touch. Registration will be maintained by the music department upon receipt of application and instructor permission. Prerequisite: Permits will be entred after student completes College Music House. Forms available in Music department. | Permission Needed From Department Crse Online: Sync & Async Components |
https://pennintouchdaemon.apps.upenn.edu/pennInTouchProdDaemon/jsp/fast.do?webService=syllabus&term=2021A&course=MUSC005024 | ||||||
| MUSC 005-025 | College Music Program | Samantha E. Wittchen | Private study in voice, keyboard, strings, woodwind, brass, percussion, and non-western instruments. Such study is designed to meet the artistic, technical, and/or professional needs of the student. Note: This is not a syllabus. Course requirements and assessment will be determined by the private instructor. Private lessons in the College House Music cannot be taken Pass/Fail. Please visit http://www.sas.upenn.edu/music/performance. Students cannot register through Penn In Touch. Registration will be maintained by the music department upon receipt of application and instructor permission. Prerequisite: Permits will be entred after student completes College Music House. Forms available in Music department. | Permission Needed From Department Crse Online: Sync & Async Components |
https://pennintouchdaemon.apps.upenn.edu/pennInTouchProdDaemon/jsp/fast.do?webService=syllabus&term=2021A&course=MUSC005025 | ||||||
| MUSC 005-026 | College Music Program | Darin B. Kelly | Private study in voice, keyboard, strings, woodwind, brass, percussion, and non-western instruments. Such study is designed to meet the artistic, technical, and/or professional needs of the student. Note: This is not a syllabus. Course requirements and assessment will be determined by the private instructor. Private lessons in the College House Music cannot be taken Pass/Fail. Please visit http://www.sas.upenn.edu/music/performance. Students cannot register through Penn In Touch. Registration will be maintained by the music department upon receipt of application and instructor permission. Prerequisite: Permits will be entred after student completes College Music House. Forms available in Music department. | Permission Needed From Department Crse Online: Sync & Async Components |
https://pennintouchdaemon.apps.upenn.edu/pennInTouchProdDaemon/jsp/fast.do?webService=syllabus&term=2021A&course=MUSC005026 | ||||||
| MUSC 005-027 | College Music Program | Michele C. Kelly | Private study in voice, keyboard, strings, woodwind, brass, percussion, and non-western instruments. Such study is designed to meet the artistic, technical, and/or professional needs of the student. Note: This is not a syllabus. Course requirements and assessment will be determined by the private instructor. Private lessons in the College House Music cannot be taken Pass/Fail. Please visit http://www.sas.upenn.edu/music/performance. Students cannot register through Penn In Touch. Registration will be maintained by the music department upon receipt of application and instructor permission. Prerequisite: Permits will be entred after student completes College Music House. Forms available in Music department. | Permission Needed From Department Crse Online: Sync & Async Components |
https://pennintouchdaemon.apps.upenn.edu/pennInTouchProdDaemon/jsp/fast.do?webService=syllabus&term=2021A&course=MUSC005027 | ||||||
| MUSC 005-028 | College Music Program | Kenneth A. Pendergast | Private study in voice, keyboard, strings, woodwind, brass, percussion, and non-western instruments. Such study is designed to meet the artistic, technical, and/or professional needs of the student. Note: This is not a syllabus. Course requirements and assessment will be determined by the private instructor. Private lessons in the College House Music cannot be taken Pass/Fail. Please visit http://www.sas.upenn.edu/music/performance. Students cannot register through Penn In Touch. Registration will be maintained by the music department upon receipt of application and instructor permission. Prerequisite: Permits will be entred after student completes College Music House. Forms available in Music department. | Permission Needed From Department Crse Online: Sync & Async Components |
https://pennintouchdaemon.apps.upenn.edu/pennInTouchProdDaemon/jsp/fast.do?webService=syllabus&term=2021A&course=MUSC005028 | ||||||
| MUSC 005-029 | College Music Program | Allyn Jane Miner | Private study in voice, keyboard, strings, woodwind, brass, percussion, and non-western instruments. Such study is designed to meet the artistic, technical, and/or professional needs of the student. Note: This is not a syllabus. Course requirements and assessment will be determined by the private instructor. Private lessons in the College House Music cannot be taken Pass/Fail. Please visit http://www.sas.upenn.edu/music/performance. Students cannot register through Penn In Touch. Registration will be maintained by the music department upon receipt of application and instructor permission. Prerequisite: Permits will be entred after student completes College Music House. Forms available in Music department. | Permission Needed From Department Crse Online: Sync & Async Components |
https://pennintouchdaemon.apps.upenn.edu/pennInTouchProdDaemon/jsp/fast.do?webService=syllabus&term=2021A&course=MUSC005029 | ||||||
| MUSC 005-030 | College Music Program | Guillaume J. Combet | Private study in voice, keyboard, strings, woodwind, brass, percussion, and non-western instruments. Such study is designed to meet the artistic, technical, and/or professional needs of the student. Note: This is not a syllabus. Course requirements and assessment will be determined by the private instructor. Private lessons in the College House Music cannot be taken Pass/Fail. Please visit http://www.sas.upenn.edu/music/performance. Students cannot register through Penn In Touch. Registration will be maintained by the music department upon receipt of application and instructor permission. Prerequisite: Permits will be entred after student completes College Music House. Forms available in Music department. | Permission Needed From Department Crse Online: Sync & Async Components |
https://pennintouchdaemon.apps.upenn.edu/pennInTouchProdDaemon/jsp/fast.do?webService=syllabus&term=2021A&course=MUSC005030 | ||||||
| MUSC 005-031 | College Music Program | Adam Lesnick | Private study in voice, keyboard, strings, woodwind, brass, percussion, and non-western instruments. Such study is designed to meet the artistic, technical, and/or professional needs of the student. Note: This is not a syllabus. Course requirements and assessment will be determined by the private instructor. Private lessons in the College House Music cannot be taken Pass/Fail. Please visit http://www.sas.upenn.edu/music/performance. Students cannot register through Penn In Touch. Registration will be maintained by the music department upon receipt of application and instructor permission. Prerequisite: Permits will be entred after student completes College Music House. Forms available in Music department. | Permission Needed From Department Crse Online: Sync & Async Components |
https://pennintouchdaemon.apps.upenn.edu/pennInTouchProdDaemon/jsp/fast.do?webService=syllabus&term=2021A&course=MUSC005031 | ||||||
| MUSC 005-032 | College Music Program | Michael Ketner | Private study in voice, keyboard, strings, woodwind, brass, percussion, and non-western instruments. Such study is designed to meet the artistic, technical, and/or professional needs of the student. Note: This is not a syllabus. Course requirements and assessment will be determined by the private instructor. Private lessons in the College House Music cannot be taken Pass/Fail. Please visit http://www.sas.upenn.edu/music/performance. Students cannot register through Penn In Touch. Registration will be maintained by the music department upon receipt of application and instructor permission. Prerequisite: Permits will be entred after student completes College Music House. Forms available in Music department. | Permission Needed From Department Crse Online: Sync & Async Components |
https://pennintouchdaemon.apps.upenn.edu/pennInTouchProdDaemon/jsp/fast.do?webService=syllabus&term=2021A&course=MUSC005032 | ||||||
| MUSC 005-033 | College Music Program | Michael Ketner | Private study in voice, keyboard, strings, woodwind, brass, percussion, and non-western instruments. Such study is designed to meet the artistic, technical, and/or professional needs of the student. Note: This is not a syllabus. Course requirements and assessment will be determined by the private instructor. Private lessons in the College House Music cannot be taken Pass/Fail. Please visit http://www.sas.upenn.edu/music/performance. Students cannot register through Penn In Touch. Registration will be maintained by the music department upon receipt of application and instructor permission. Prerequisite: Permits will be entred after student completes College Music House. Forms available in Music department. | Permission Needed From Department Crse Online: Sync & Async Components |
https://pennintouchdaemon.apps.upenn.edu/pennInTouchProdDaemon/jsp/fast.do?webService=syllabus&term=2021A&course=MUSC005033 | ||||||
| MUSC 005-034 | College Music Program | Karen L Meier | Private study in voice, keyboard, strings, woodwind, brass, percussion, and non-western instruments. Such study is designed to meet the artistic, technical, and/or professional needs of the student. Note: This is not a syllabus. Course requirements and assessment will be determined by the private instructor. Private lessons in the College House Music cannot be taken Pass/Fail. Please visit http://www.sas.upenn.edu/music/performance. Students cannot register through Penn In Touch. Registration will be maintained by the music department upon receipt of application and instructor permission. Prerequisite: Permits will be entred after student completes College Music House. Forms available in Music department. | Permission Needed From Department Crse Online: Sync & Async Components |
https://pennintouchdaemon.apps.upenn.edu/pennInTouchProdDaemon/jsp/fast.do?webService=syllabus&term=2021A&course=MUSC005034 | ||||||
| MUSC 005-035 | College Music Program | William C Wozniak | Private study in voice, keyboard, strings, woodwind, brass, percussion, and non-western instruments. Such study is designed to meet the artistic, technical, and/or professional needs of the student. Note: This is not a syllabus. Course requirements and assessment will be determined by the private instructor. Private lessons in the College House Music cannot be taken Pass/Fail. Please visit http://www.sas.upenn.edu/music/performance. Students cannot register through Penn In Touch. Registration will be maintained by the music department upon receipt of application and instructor permission. Prerequisite: Permits will be entred after student completes College Music House. Forms available in Music department. | Permission Needed From Department Crse Online: Sync & Async Components |
https://pennintouchdaemon.apps.upenn.edu/pennInTouchProdDaemon/jsp/fast.do?webService=syllabus&term=2021A&course=MUSC005035 | ||||||
| MUSC 005-036 | College Music Program | Michael Ketner | Private study in voice, keyboard, strings, woodwind, brass, percussion, and non-western instruments. Such study is designed to meet the artistic, technical, and/or professional needs of the student. Note: This is not a syllabus. Course requirements and assessment will be determined by the private instructor. Private lessons in the College House Music cannot be taken Pass/Fail. Please visit http://www.sas.upenn.edu/music/performance. Students cannot register through Penn In Touch. Registration will be maintained by the music department upon receipt of application and instructor permission. Prerequisite: Permits will be entred after student completes College Music House. Forms available in Music department. | Permission Needed From Department Crse Online: Sync & Async Components |
https://pennintouchdaemon.apps.upenn.edu/pennInTouchProdDaemon/jsp/fast.do?webService=syllabus&term=2021A&course=MUSC005036 | ||||||
| MUSC 005-037 | College Music Program | Danielle Crumb Fike | Private study in voice, keyboard, strings, woodwind, brass, percussion, and non-western instruments. Such study is designed to meet the artistic, technical, and/or professional needs of the student. Note: This is not a syllabus. Course requirements and assessment will be determined by the private instructor. Private lessons in the College House Music cannot be taken Pass/Fail. Please visit http://www.sas.upenn.edu/music/performance. Students cannot register through Penn In Touch. Registration will be maintained by the music department upon receipt of application and instructor permission. Prerequisite: Permits will be entred after student completes College Music House. Forms available in Music department. | Permission Needed From Department Crse Online: Sync & Async Components |
https://pennintouchdaemon.apps.upenn.edu/pennInTouchProdDaemon/jsp/fast.do?webService=syllabus&term=2021A&course=MUSC005037 | ||||||
| MUSC 005-038 | College Music Program | Daniel Wright | Private study in voice, keyboard, strings, woodwind, brass, percussion, and non-western instruments. Such study is designed to meet the artistic, technical, and/or professional needs of the student. Note: This is not a syllabus. Course requirements and assessment will be determined by the private instructor. Private lessons in the College House Music cannot be taken Pass/Fail. Please visit http://www.sas.upenn.edu/music/performance. Students cannot register through Penn In Touch. Registration will be maintained by the music department upon receipt of application and instructor permission. Prerequisite: Permits will be entred after student completes College Music House. Forms available in Music department. | Permission Needed From Department Crse Online: Sync & Async Components |
https://pennintouchdaemon.apps.upenn.edu/pennInTouchProdDaemon/jsp/fast.do?webService=syllabus&term=2021A&course=MUSC005038 | ||||||
| MUSC 005-039 | College Music Program | Justin J. Sekelewski | Private study in voice, keyboard, strings, woodwind, brass, percussion, and non-western instruments. Such study is designed to meet the artistic, technical, and/or professional needs of the student. Note: This is not a syllabus. Course requirements and assessment will be determined by the private instructor. Private lessons in the College House Music cannot be taken Pass/Fail. Please visit http://www.sas.upenn.edu/music/performance. Students cannot register through Penn In Touch. Registration will be maintained by the music department upon receipt of application and instructor permission. Prerequisite: Permits will be entred after student completes College Music House. Forms available in Music department. | Permission Needed From Department Crse Online: Sync & Async Components |
https://pennintouchdaemon.apps.upenn.edu/pennInTouchProdDaemon/jsp/fast.do?webService=syllabus&term=2021A&course=MUSC005039 | ||||||
| MUSC 005-040 | College Music Program | Hanchien Lee | Private study in voice, keyboard, strings, woodwind, brass, percussion, and non-western instruments. Such study is designed to meet the artistic, technical, and/or professional needs of the student. Note: This is not a syllabus. Course requirements and assessment will be determined by the private instructor. Private lessons in the College House Music cannot be taken Pass/Fail. Please visit http://www.sas.upenn.edu/music/performance. Students cannot register through Penn In Touch. Registration will be maintained by the music department upon receipt of application and instructor permission. Prerequisite: Permits will be entred after student completes College Music House. Forms available in Music department. | Permission Needed From Department Crse Online: Sync & Async Components |
https://pennintouchdaemon.apps.upenn.edu/pennInTouchProdDaemon/jsp/fast.do?webService=syllabus&term=2021A&course=MUSC005040 | ||||||
| MUSC 005-041 | College Music Program | Yu Xi Wang | Private study in voice, keyboard, strings, woodwind, brass, percussion, and non-western instruments. Such study is designed to meet the artistic, technical, and/or professional needs of the student. Note: This is not a syllabus. Course requirements and assessment will be determined by the private instructor. Private lessons in the College House Music cannot be taken Pass/Fail. Please visit http://www.sas.upenn.edu/music/performance. Students cannot register through Penn In Touch. Registration will be maintained by the music department upon receipt of application and instructor permission. Prerequisite: Permits will be entred after student completes College Music House. Forms available in Music department. | Permission Needed From Department Crse Online: Sync & Async Components |
https://pennintouchdaemon.apps.upenn.edu/pennInTouchProdDaemon/jsp/fast.do?webService=syllabus&term=2021A&course=MUSC005041 | ||||||
| MUSC 005-042 | College Music Program | Michael Ketner | Private study in voice, keyboard, strings, woodwind, brass, percussion, and non-western instruments. Such study is designed to meet the artistic, technical, and/or professional needs of the student. Note: This is not a syllabus. Course requirements and assessment will be determined by the private instructor. Private lessons in the College House Music cannot be taken Pass/Fail. Please visit http://www.sas.upenn.edu/music/performance. Students cannot register through Penn In Touch. Registration will be maintained by the music department upon receipt of application and instructor permission. Prerequisite: Permits will be entred after student completes College Music House. Forms available in Music department. | Permission Needed From Department Crse Online: Sync & Async Components |
https://pennintouchdaemon.apps.upenn.edu/pennInTouchProdDaemon/jsp/fast.do?webService=syllabus&term=2021A&course=MUSC005042 | ||||||
| MUSC 005-043 | College Music Program | Matthew Glandorf | Private study in voice, keyboard, strings, woodwind, brass, percussion, and non-western instruments. Such study is designed to meet the artistic, technical, and/or professional needs of the student. Note: This is not a syllabus. Course requirements and assessment will be determined by the private instructor. Private lessons in the College House Music cannot be taken Pass/Fail. Please visit http://www.sas.upenn.edu/music/performance. Students cannot register through Penn In Touch. Registration will be maintained by the music department upon receipt of application and instructor permission. Prerequisite: Permits will be entred after student completes College Music House. Forms available in Music department. | Permission Needed From Department Crse Online: Sync & Async Components |
https://pennintouchdaemon.apps.upenn.edu/pennInTouchProdDaemon/jsp/fast.do?webService=syllabus&term=2021A&course=MUSC005043 | ||||||
| MUSC 005-044 | College Music Program | Hannah Nicholas | Private study in voice, keyboard, strings, woodwind, brass, percussion, and non-western instruments. Such study is designed to meet the artistic, technical, and/or professional needs of the student. Note: This is not a syllabus. Course requirements and assessment will be determined by the private instructor. Private lessons in the College House Music cannot be taken Pass/Fail. Please visit http://www.sas.upenn.edu/music/performance. Students cannot register through Penn In Touch. Registration will be maintained by the music department upon receipt of application and instructor permission. Prerequisite: Permits will be entred after student completes College Music House. Forms available in Music department. | Permission Needed From Department Crse Online: Sync & Async Components |
https://pennintouchdaemon.apps.upenn.edu/pennInTouchProdDaemon/jsp/fast.do?webService=syllabus&term=2021A&course=MUSC005044 | ||||||
| MUSC 005-045 | College Music Program | Thomas Tok-Young Hong | Private study in voice, keyboard, strings, woodwind, brass, percussion, and non-western instruments. Such study is designed to meet the artistic, technical, and/or professional needs of the student. Note: This is not a syllabus. Course requirements and assessment will be determined by the private instructor. Private lessons in the College House Music cannot be taken Pass/Fail. Please visit http://www.sas.upenn.edu/music/performance. Students cannot register through Penn In Touch. Registration will be maintained by the music department upon receipt of application and instructor permission. Prerequisite: Permits will be entred after student completes College Music House. Forms available in Music department. | Permission Needed From Department Crse Online: Sync & Async Components |
https://pennintouchdaemon.apps.upenn.edu/pennInTouchProdDaemon/jsp/fast.do?webService=syllabus&term=2021A&course=MUSC005045 | ||||||
| MUSC 005-046 | College Music Program | Daniela Pierson | Private study in voice, keyboard, strings, woodwind, brass, percussion, and non-western instruments. Such study is designed to meet the artistic, technical, and/or professional needs of the student. Note: This is not a syllabus. Course requirements and assessment will be determined by the private instructor. Private lessons in the College House Music cannot be taken Pass/Fail. Please visit http://www.sas.upenn.edu/music/performance. Students cannot register through Penn In Touch. Registration will be maintained by the music department upon receipt of application and instructor permission. Prerequisite: Permits will be entred after student completes College Music House. Forms available in Music department. | Permission Needed From Department Crse Online: Sync & Async Components |
https://pennintouchdaemon.apps.upenn.edu/pennInTouchProdDaemon/jsp/fast.do?webService=syllabus&term=2021A&course=MUSC005046 | ||||||
| MUSC 005-047 | College Music Program | Michael Lacheen Stevens | Private study in voice, keyboard, strings, woodwind, brass, percussion, and non-western instruments. Such study is designed to meet the artistic, technical, and/or professional needs of the student. Note: This is not a syllabus. Course requirements and assessment will be determined by the private instructor. Private lessons in the College House Music cannot be taken Pass/Fail. Please visit http://www.sas.upenn.edu/music/performance. Students cannot register through Penn In Touch. Registration will be maintained by the music department upon receipt of application and instructor permission. Prerequisite: Permits will be entred after student completes College Music House. Forms available in Music department. | Permission Needed From Department Crse Online: Sync & Async Components |
https://pennintouchdaemon.apps.upenn.edu/pennInTouchProdDaemon/jsp/fast.do?webService=syllabus&term=2021A&course=MUSC005047 | ||||||
| MUSC 005-048 | College Music Program | David M. Hughes | Private study in voice, keyboard, strings, woodwind, brass, percussion, and non-western instruments. Such study is designed to meet the artistic, technical, and/or professional needs of the student. Note: This is not a syllabus. Course requirements and assessment will be determined by the private instructor. Private lessons in the College House Music cannot be taken Pass/Fail. Please visit http://www.sas.upenn.edu/music/performance. Students cannot register through Penn In Touch. Registration will be maintained by the music department upon receipt of application and instructor permission. Prerequisite: Permits will be entred after student completes College Music House. Forms available in Music department. | Permission Needed From Department Crse Online: Sync & Async Components |
https://pennintouchdaemon.apps.upenn.edu/pennInTouchProdDaemon/jsp/fast.do?webService=syllabus&term=2021A&course=MUSC005048 | ||||||
| MUSC 007-001 | Ensemble Performance: Univ. Wind Ensemble | Michael Ketner | Successful participation in a music department sponsored group. Ensemble groups: University Orchestra, University Wind Ensemble, Choral Society, University Choir, Ancient Voices, Baroque and Recorder Ensemble, Chamber Music Society, Arab Music Ensemble, Samba and Jazz Combo. This course must be taken for a letter grade (Pass/Fail registration option may not be utilized for this course). Prerequisite: Please contact Ensemble Director if you are interested in taking Music 007 for credit. | Permission Needed From Department Crse Online: Sync & Async Components Audition Required Course Must Be Taken For A Grade |
https://pennintouchdaemon.apps.upenn.edu/pennInTouchProdDaemon/jsp/fast.do?webService=syllabus&term=2021A&course=MUSC007001 | ||||||
| MUSC 007-002 | Ensemble Performance: Univ. Orchestra | Thomas Tok-Young Hong | Successful participation in a music department sponsored group. Ensemble groups: University Orchestra, University Wind Ensemble, Choral Society, University Choir, Ancient Voices, Baroque and Recorder Ensemble, Chamber Music Society, Arab Music Ensemble, Samba and Jazz Combo. This course must be taken for a letter grade (Pass/Fail registration option may not be utilized for this course). Prerequisite: Please contact Ensemble Director if you are interested in taking Music 007 for credit. | Permission Needed From Department Crse Online: Sync & Async Components Audition Required Course Must Be Taken For A Grade |
https://pennintouchdaemon.apps.upenn.edu/pennInTouchProdDaemon/jsp/fast.do?webService=syllabus&term=2021A&course=MUSC007002 | ||||||
| MUSC 007-003 | Ensemble Performance: Penn Baroque&Recorder | Gwyn Meredith Roberts | Successful participation in a music department sponsored group. Ensemble groups: University Orchestra, University Wind Ensemble, Choral Society, University Choir, Ancient Voices, Baroque and Recorder Ensemble, Chamber Music Society, Arab Music Ensemble, Samba and Jazz Combo. This course must be taken for a letter grade (Pass/Fail registration option may not be utilized for this course). Prerequisite: Please contact Ensemble Director if you are interested in taking Music 007 for credit. | Permission Needed From Department Crse Online: Sync & Async Components Audition Required Course Must Be Taken For A Grade |
https://pennintouchdaemon.apps.upenn.edu/pennInTouchProdDaemon/jsp/fast.do?webService=syllabus&term=2021A&course=MUSC007003 | ||||||
| MUSC 007-004 | Ensemble Performance: Penn Chamber Music Soc | David Yang | Successful participation in a music department sponsored group. Ensemble groups: University Orchestra, University Wind Ensemble, Choral Society, University Choir, Ancient Voices, Baroque and Recorder Ensemble, Chamber Music Society, Arab Music Ensemble, Samba and Jazz Combo. This course must be taken for a letter grade (Pass/Fail registration option may not be utilized for this course). Prerequisite: Please contact Ensemble Director if you are interested in taking Music 007 for credit. | Permission Needed From Department Crse Online: Sync & Async Components Audition Required Course Must Be Taken For A Grade |
https://pennintouchdaemon.apps.upenn.edu/pennInTouchProdDaemon/jsp/fast.do?webService=syllabus&term=2021A&course=MUSC007004 | ||||||
| MUSC 007-005 | Ensemble Performance: Collegium Musicum | Margaret B. Gruits | Successful participation in a music department sponsored group. Ensemble groups: University Orchestra, University Wind Ensemble, Choral Society, University Choir, Ancient Voices, Baroque and Recorder Ensemble, Chamber Music Society, Arab Music Ensemble, Samba and Jazz Combo. This course must be taken for a letter grade (Pass/Fail registration option may not be utilized for this course). Prerequisite: Please contact Ensemble Director if you are interested in taking Music 007 for credit. | Permission Needed From Department Crse Online: Sync & Async Components Audition Required Course Must Be Taken For A Grade |
https://pennintouchdaemon.apps.upenn.edu/pennInTouchProdDaemon/jsp/fast.do?webService=syllabus&term=2021A&course=MUSC007005 | ||||||
| MUSC 007-006 | Ensemble Performance: Ensemble | Michael Ketner | Successful participation in a music department sponsored group. Ensemble groups: University Orchestra, University Wind Ensemble, Choral Society, University Choir, Ancient Voices, Baroque and Recorder Ensemble, Chamber Music Society, Arab Music Ensemble, Samba and Jazz Combo. This course must be taken for a letter grade (Pass/Fail registration option may not be utilized for this course). Prerequisite: Please contact Ensemble Director if you are interested in taking Music 007 for credit. | Permission Needed From Department Crse Online: Sync & Async Components Audition Required Course Must Be Taken For A Grade |
https://pennintouchdaemon.apps.upenn.edu/pennInTouchProdDaemon/jsp/fast.do?webService=syllabus&term=2021A&course=MUSC007006 | ||||||
| MUSC 007-007 | Ensemble Performance: Penn Chorale | Elizabeth Braden | Successful participation in a music department sponsored group. Ensemble groups: University Orchestra, University Wind Ensemble, Choral Society, University Choir, Ancient Voices, Baroque and Recorder Ensemble, Chamber Music Society, Arab Music Ensemble, Samba and Jazz Combo. This course must be taken for a letter grade (Pass/Fail registration option may not be utilized for this course). Prerequisite: Please contact Ensemble Director if you are interested in taking Music 007 for credit. | Permission Needed From Department Crse Online: Sync & Async Components Audition Required Course Must Be Taken For A Grade |
https://pennintouchdaemon.apps.upenn.edu/pennInTouchProdDaemon/jsp/fast.do?webService=syllabus&term=2021A&course=MUSC007007 | ||||||
| MUSC 007-008 | Ensemble Performance: Jazz Combo | Daniel M Paul | Successful participation in a music department sponsored group. Ensemble groups: University Orchestra, University Wind Ensemble, Choral Society, University Choir, Ancient Voices, Baroque and Recorder Ensemble, Chamber Music Society, Arab Music Ensemble, Samba and Jazz Combo. This course must be taken for a letter grade (Pass/Fail registration option may not be utilized for this course). Prerequisite: Please contact Ensemble Director if you are interested in taking Music 007 for credit. | Permission Needed From Department Crse Online: Sync & Async Components Audition Required Course Must Be Taken For A Grade |
https://pennintouchdaemon.apps.upenn.edu/pennInTouchProdDaemon/jsp/fast.do?webService=syllabus&term=2021A&course=MUSC007008 | ||||||
| MUSC 007-009 | Samba Ensemble | Michael Lacheen Stevens | Successful participation in a music department sponsored group. Ensemble groups: University Orchestra, University Wind Ensemble, Choral Society, University Choir, Ancient Voices, Baroque and Recorder Ensemble, Chamber Music Society, Arab Music Ensemble, Samba and Jazz Combo. This course must be taken for a letter grade (Pass/Fail registration option may not be utilized for this course). Prerequisite: Please contact Ensemble Director if you are interested in taking Music 007 for credit. | Permission Needed From Department Crse Online: Sync & Async Components Audition Required Course Must Be Taken For A Grade |
https://pennintouchdaemon.apps.upenn.edu/pennInTouchProdDaemon/jsp/fast.do?webService=syllabus&term=2021A&course=MUSC007009 | ||||||
| MUSC 007-010 | Arabic Choir | Hanna A Khuri | R 06:00 PM-07:30 PM | Successful participation in a music department sponsored group. Ensemble groups: University Orchestra, University Wind Ensemble, Choral Society, University Choir, Ancient Voices, Baroque and Recorder Ensemble, Chamber Music Society, Arab Music Ensemble, Samba and Jazz Combo. This course must be taken for a letter grade (Pass/Fail registration option may not be utilized for this course). Prerequisite: Please contact Ensemble Director if you are interested in taking Music 007 for credit. | Crse Online: Sync & Async Components Course Must Be Taken For A Grade |
https://pennintouchdaemon.apps.upenn.edu/pennInTouchProdDaemon/jsp/fast.do?webService=syllabus&term=2021A&course=MUSC007010 | |||||
| MUSC 007-011 | Samba Ensemble | Michael Lacheen Stevens | Successful participation in a music department sponsored group. Ensemble groups: University Orchestra, University Wind Ensemble, Choral Society, University Choir, Ancient Voices, Baroque and Recorder Ensemble, Chamber Music Society, Arab Music Ensemble, Samba and Jazz Combo. This course must be taken for a letter grade (Pass/Fail registration option may not be utilized for this course). Prerequisite: Please contact Ensemble Director if you are interested in taking Music 007 for credit. | Permission Needed From Department Crse Online: Sync & Async Components |
https://pennintouchdaemon.apps.upenn.edu/pennInTouchProdDaemon/jsp/fast.do?webService=syllabus&term=2021A&course=MUSC007011 | ||||||
| MUSC 007-012 | Samba Ensemble | Michael Lacheen Stevens | Successful participation in a music department sponsored group. Ensemble groups: University Orchestra, University Wind Ensemble, Choral Society, University Choir, Ancient Voices, Baroque and Recorder Ensemble, Chamber Music Society, Arab Music Ensemble, Samba and Jazz Combo. This course must be taken for a letter grade (Pass/Fail registration option may not be utilized for this course). Prerequisite: Please contact Ensemble Director if you are interested in taking Music 007 for credit. | Permission Needed From Department Crse Online: Sync & Async Components |
https://pennintouchdaemon.apps.upenn.edu/pennInTouchProdDaemon/jsp/fast.do?webService=syllabus&term=2021A&course=MUSC007012 | ||||||
| MUSC 007-013 | Penn Flutes | Michele C. Kelly | Successful participation in a music department sponsored group. Ensemble groups: University Orchestra, University Wind Ensemble, Choral Society, University Choir, Ancient Voices, Baroque and Recorder Ensemble, Chamber Music Society, Arab Music Ensemble, Samba and Jazz Combo. This course must be taken for a letter grade (Pass/Fail registration option may not be utilized for this course). Prerequisite: Please contact Ensemble Director if you are interested in taking Music 007 for credit. | Permission Needed From Department Crse Online: Sync & Async Components Audition Required Course Must Be Taken For A Grade |
https://pennintouchdaemon.apps.upenn.edu/pennInTouchProdDaemon/jsp/fast.do?webService=syllabus&term=2021A&course=MUSC007013 | ||||||
| MUSC 007-014 | Arabn Percussion Adv | Hafez J. Kotain | R 06:00 PM-07:30 PM | Successful participation in a music department sponsored group. Ensemble groups: University Orchestra, University Wind Ensemble, Choral Society, University Choir, Ancient Voices, Baroque and Recorder Ensemble, Chamber Music Society, Arab Music Ensemble, Samba and Jazz Combo. This course must be taken for a letter grade (Pass/Fail registration option may not be utilized for this course). Prerequisite: Please contact Ensemble Director if you are interested in taking Music 007 for credit. | Crse Online: Sync & Async Components Course Must Be Taken For A Grade |
https://pennintouchdaemon.apps.upenn.edu/pennInTouchProdDaemon/jsp/fast.do?webService=syllabus&term=2021A&course=MUSC007014 | |||||
| MUSC 007-015 | Arab Percussion Beg | Hafez J. Kotain | R 07:30 PM-09:00 PM | Successful participation in a music department sponsored group. Ensemble groups: University Orchestra, University Wind Ensemble, Choral Society, University Choir, Ancient Voices, Baroque and Recorder Ensemble, Chamber Music Society, Arab Music Ensemble, Samba and Jazz Combo. This course must be taken for a letter grade (Pass/Fail registration option may not be utilized for this course). Prerequisite: Please contact Ensemble Director if you are interested in taking Music 007 for credit. | Crse Online: Sync & Async Components Course Must Be Taken For A Grade |
https://pennintouchdaemon.apps.upenn.edu/pennInTouchProdDaemon/jsp/fast.do?webService=syllabus&term=2021A&course=MUSC007015 | |||||
| MUSC 007-016 | Arabic Choir | Hanna A Khuri | R 07:30 PM-09:00 PM | Successful participation in a music department sponsored group. Ensemble groups: University Orchestra, University Wind Ensemble, Choral Society, University Choir, Ancient Voices, Baroque and Recorder Ensemble, Chamber Music Society, Arab Music Ensemble, Samba and Jazz Combo. This course must be taken for a letter grade (Pass/Fail registration option may not be utilized for this course). Prerequisite: Please contact Ensemble Director if you are interested in taking Music 007 for credit. | Crse Online: Sync & Async Components Course Must Be Taken For A Grade |
https://pennintouchdaemon.apps.upenn.edu/pennInTouchProdDaemon/jsp/fast.do?webService=syllabus&term=2021A&course=MUSC007016 | |||||
| MUSC 007-017 | Opera Workshop | Margaret B. Gruits | Successful participation in a music department sponsored group. Ensemble groups: University Orchestra, University Wind Ensemble, Choral Society, University Choir, Ancient Voices, Baroque and Recorder Ensemble, Chamber Music Society, Arab Music Ensemble, Samba and Jazz Combo. This course must be taken for a letter grade (Pass/Fail registration option may not be utilized for this course). Prerequisite: Please contact Ensemble Director if you are interested in taking Music 007 for credit. | Permission Needed From Department Crse Online: Sync & Async Components |
https://pennintouchdaemon.apps.upenn.edu/pennInTouchProdDaemon/jsp/fast.do?webService=syllabus&term=2021A&course=MUSC007017 | ||||||
| MUSC 010-001 | Marian Anderson Perf Prg | Michael Ketner | F 02:00 PM-05:00 PM | Special instruction in vocal and instrumental performance for music majors and minors only. Students must demonstrate in an audition that they have already attained an intermediate level of musical performance. They also must participate in a Music Department ensemble throughout the academic year, perform in public as a soloist at least once during the year (recital), perform a jury at the end of the spring semester, and attend and participate in masterclasses. Prerequiste: Must be a music major or minor. | Permission Needed From Department Crse Online: Sync & Async Components |
https://pennintouchdaemon.apps.upenn.edu/pennInTouchProdDaemon/jsp/fast.do?webService=syllabus&term=2021A&course=MUSC010001 | |||||
| MUSC 016-301 | Video Art: History and Practice | Natacha Diels | TR 12:00 PM-01:30 PM | This is a lecture and project course on video art. The lecture portion covers the history of experimental video art (mid 1960s to present) in the US and globally, with a special focus on music video. Students will complete both written assignments on assigned topics (individual artists or aesthetic trends) and creative assignments (making video art pieces) using available software and hardware. The final project is creative with a written component. There is no prerequisite. | Course is available to Freshmen and Upperclassmen. Course Online: Synchronous Format Freshman Seminar |
https://pennintouchdaemon.apps.upenn.edu/pennInTouchProdDaemon/jsp/fast.do?webService=syllabus&term=2021A&course=MUSC016301 | |||||
| MUSC 018-401 | Music in Urban Spaces | Molly Jean Mcglone | T 08:00 PM-09:30 PM | The primary goal of the freshman seminar program is to provide every freshman the opportunity for a direct personal encounter with a faculty member in a small sitting devoted to a significant intellectual endeavor. Specific topics be posted at the beginning of each academic year. Please see the College Freshman seminar website for information on current course offerings http:// www.college.upenn.edu/courses/seminars/freshman.php. | URBS018401 | Cultural Diversity in the US | Permission Needed From Instructor An Academically Based Community Serv Course Crse Online: Sync & Async Components Freshman Seminar |
https://pennintouchdaemon.apps.upenn.edu/pennInTouchProdDaemon/jsp/fast.do?webService=syllabus&term=2021A&course=MUSC018401 | |||
| MUSC 030-001 | 1000 Yrs Musical Listeng | Allison Rose Brooks-Conrad | T 12:00 PM-01:30 PM | We know that we like music and that it moves us, yet it is often difficult to pinpoint exactly why, and harder still to explain what it is we are hearing. This course takes on those issues. It aims to introduce you to a variety of music, and a range of ways of thinking, talking and writing about music. The majority of music dealt with will be drawn from the so-called "Classical" repertory, from the medieval period to the present day, including some of the 'greats' such as Handel, Beethoven, Mozart, Berlioz, and Verdi, but will also introduce you to music you will most likely never have encountered before. This course will explore the technical workings of music and the vocabularies for analyzing music and articulating a response to it; it also examines music as a cultural phenomenon, considering what music has meant for different people, from different societies across the ages and across geographical boundaries. As well as learning to listen ourselves, we will also engage with a history of listening. No prior musical knowledge is required. (Formerly Music 021). Fulfills College Cross Cultural Foundational Requirement. | Arts & Letters Sector Cross Cultural Analysis |
Course is available to Freshmen and Upperclassmen. Crse Online: Sync & Async Components |
https://pennintouchdaemon.apps.upenn.edu/pennInTouchProdDaemon/jsp/fast.do?webService=syllabus&term=2021A&course=MUSC030001 | ||||
| MUSC 030-002 | 1000 Yrs Musical Listeng | M 10:00 AM-11:00 AM | We know that we like music and that it moves us, yet it is often difficult to pinpoint exactly why, and harder still to explain what it is we are hearing. This course takes on those issues. It aims to introduce you to a variety of music, and a range of ways of thinking, talking and writing about music. The majority of music dealt with will be drawn from the so-called "Classical" repertory, from the medieval period to the present day, including some of the 'greats' such as Handel, Beethoven, Mozart, Berlioz, and Verdi, but will also introduce you to music you will most likely never have encountered before. This course will explore the technical workings of music and the vocabularies for analyzing music and articulating a response to it; it also examines music as a cultural phenomenon, considering what music has meant for different people, from different societies across the ages and across geographical boundaries. As well as learning to listen ourselves, we will also engage with a history of listening. No prior musical knowledge is required. (Formerly Music 021). Fulfills College Cross Cultural Foundational Requirement. | Arts & Letters Sector Cross Cultural Analysis |
Course is available to Freshmen and Upperclassmen. Crse Online: Sync & Async Components |
https://pennintouchdaemon.apps.upenn.edu/pennInTouchProdDaemon/jsp/fast.do?webService=syllabus&term=2021A&course=MUSC030002 | |||||
| MUSC 030-003 | 1000 Yrs Musical Listeng | Sean Patrick Gower | W 12:00 PM-01:00 PM | We know that we like music and that it moves us, yet it is often difficult to pinpoint exactly why, and harder still to explain what it is we are hearing. This course takes on those issues. It aims to introduce you to a variety of music, and a range of ways of thinking, talking and writing about music. The majority of music dealt with will be drawn from the so-called "Classical" repertory, from the medieval period to the present day, including some of the 'greats' such as Handel, Beethoven, Mozart, Berlioz, and Verdi, but will also introduce you to music you will most likely never have encountered before. This course will explore the technical workings of music and the vocabularies for analyzing music and articulating a response to it; it also examines music as a cultural phenomenon, considering what music has meant for different people, from different societies across the ages and across geographical boundaries. As well as learning to listen ourselves, we will also engage with a history of listening. No prior musical knowledge is required. (Formerly Music 021). Fulfills College Cross Cultural Foundational Requirement. | Arts & Letters Sector Cross Cultural Analysis |
Crse Online: Sync & Async Components | https://pennintouchdaemon.apps.upenn.edu/pennInTouchProdDaemon/jsp/fast.do?webService=syllabus&term=2021A&course=MUSC030003 | ||||
| MUSC 030-601 | 1000 Yrs Musical Listeng | Lloyd J Frank | T 05:30 PM-08:30 PM | We know that we like music and that it moves us, yet it is often difficult to pinpoint exactly why, and harder still to explain what it is we are hearing. This course takes on those issues. It aims to introduce you to a variety of music, and a range of ways of thinking, talking and writing about music. The majority of music dealt with will be drawn from the so-called "Classical" repertory, from the medieval period to the present day, including some of the 'greats' such as Handel, Beethoven, Mozart, Berlioz, and Verdi, but will also introduce you to music you will most likely never have encountered before. This course will explore the technical workings of music and the vocabularies for analyzing music and articulating a response to it; it also examines music as a cultural phenomenon, considering what music has meant for different people, from different societies across the ages and across geographical boundaries. As well as learning to listen ourselves, we will also engage with a history of listening. No prior musical knowledge is required. (Formerly Music 021). Fulfills College Cross Cultural Foundational Requirement. | Arts & Letters Sector Cross Cultural Analysis |
Crse Online: Sync & Async Components | https://pennintouchdaemon.apps.upenn.edu/pennInTouchProdDaemon/jsp/fast.do?webService=syllabus&term=2021A&course=MUSC030601 | ||||
| MUSC 035-601 | Jazz:Style & History | Matthew Valnes | R 04:30 PM-07:30 PM | This course is an exploration of the family of musical idioms called jazz. Attention will be given to issues of style development, selective musicians, and to the social and cultural conditions and the scholarly discourses that have informed the creation, dissemination and reception of this dynamic set of styles from the beginning of the 20th century to the present. Fulfills Cultural Diversity in the U.S. | Crse Online: Sync & Async Components | https://pennintouchdaemon.apps.upenn.edu/pennInTouchProdDaemon/jsp/fast.do?webService=syllabus&term=2021A&course=MUSC035601 | |||||
| MUSC 050-401 | World Musics & Cultures | Carol Ann Muller | R 05:00 PM-07:00 PM | This course examines how we as consumers in the "Western" world engage with musical difference largely through the products of the global entertainment industry. We examine music cultures in contact in a variety of ways-- particularly as traditions in transformation. Students gain an understanding of traditional music as live, meaningful person-to-person music making, by examining the music in its original site of production, and then considering its transformation once it is removed, and recontextualized in a variety of ways. The purpose of the course is to enable students to become informed and critical consumers of "World Music" by telling a series of stories about particular recordings made with, or using the music of, peoples culturally and geographically distant from the US. Students come to understand that not all music downloads containing music from unfamiliar places are the same, and that particular recordings may be embedded in intriguing and controversial narratives of production and consumption. At the very least, students should emerge from the class with a clear understanding that the production, distribution, and consumption of world music is rarely a neutral process. Fulfills College Cross Cultural Foundational Requirement. | AFRC050401, ANTH022401 | Arts & Letters Sector Cross Cultural Analysis |
Crse Online: Sync & Async Components | https://pennintouchdaemon.apps.upenn.edu/pennInTouchProdDaemon/jsp/fast.do?webService=syllabus&term=2021A&course=MUSC050401 | |||
| MUSC 050-402 | World Musics & Cultures | Wanchi-Winnie Lai | This course examines how we as consumers in the "Western" world engage with musical difference largely through the products of the global entertainment industry. We examine music cultures in contact in a variety of ways-- particularly as traditions in transformation. Students gain an understanding of traditional music as live, meaningful person-to-person music making, by examining the music in its original site of production, and then considering its transformation once it is removed, and recontextualized in a variety of ways. The purpose of the course is to enable students to become informed and critical consumers of "World Music" by telling a series of stories about particular recordings made with, or using the music of, peoples culturally and geographically distant from the US. Students come to understand that not all music downloads containing music from unfamiliar places are the same, and that particular recordings may be embedded in intriguing and controversial narratives of production and consumption. At the very least, students should emerge from the class with a clear understanding that the production, distribution, and consumption of world music is rarely a neutral process. Fulfills College Cross Cultural Foundational Requirement. | AFRC050402, ANTH022402 | Arts & Letters Sector Cross Cultural Analysis |
Course Online: Asynchronous Format | https://pennintouchdaemon.apps.upenn.edu/pennInTouchProdDaemon/jsp/fast.do?webService=syllabus&term=2021A&course=MUSC050402 | ||||
| MUSC 050-403 | World Musics & Cultures | Armaghan Fakhraeirad | W 10:00 AM-11:00 AM | This course examines how we as consumers in the "Western" world engage with musical difference largely through the products of the global entertainment industry. We examine music cultures in contact in a variety of ways-- particularly as traditions in transformation. Students gain an understanding of traditional music as live, meaningful person-to-person music making, by examining the music in its original site of production, and then considering its transformation once it is removed, and recontextualized in a variety of ways. The purpose of the course is to enable students to become informed and critical consumers of "World Music" by telling a series of stories about particular recordings made with, or using the music of, peoples culturally and geographically distant from the US. Students come to understand that not all music downloads containing music from unfamiliar places are the same, and that particular recordings may be embedded in intriguing and controversial narratives of production and consumption. At the very least, students should emerge from the class with a clear understanding that the production, distribution, and consumption of world music is rarely a neutral process. Fulfills College Cross Cultural Foundational Requirement. | AFRC050403, ANTH022403 | Arts & Letters Sector Cross Cultural Analysis |
Course is available to Freshmen and Upperclassmen. Crse Online: Sync & Async Components |
https://pennintouchdaemon.apps.upenn.edu/pennInTouchProdDaemon/jsp/fast.do?webService=syllabus&term=2021A&course=MUSC050403 | |||
| MUSC 051-401 | Music of Africa | Carol Ann Muller | M 05:00 PM-07:00 PM | African Contemporary Music: North, South, East, and West. Come to know contemporary Africa through the sounds of its music: from South African kwela, jazz, marabi, and kwaito to Zimbabwean chimurenga; Central African soukous and pygmy pop; West African Fuji, and North African rai and hophop. Through reading and listening to live performance, audio and video recordings, we will examine the music of Africa and its intersections with politics, history, gender, and religion in the colonial and post colonial era. (Formerly Music 053). Fulfills College Cross Cultural Foundational Requirement. | COML053401, AFRC053401 | Arts & Letters Sector | Crse Online: Sync & Async Components | https://pennintouchdaemon.apps.upenn.edu/pennInTouchProdDaemon/jsp/fast.do?webService=syllabus&term=2021A&course=MUSC051401 | |||
| MUSC 053-401 | Music in Troubled Places | James Sykes | R 01:30 PM-03:30 PM | In this class, we go beyond the headlines to discuss the history and cultures of peoples who have had to endure terrible suffering, particularly through ethnic conflict and civil war. We will focus on a curious phenomenon: populations typically defined as separate from one another (e.g., Israelis and Palestinians) often have a history of shared or related cultural practices, of which music is a prime example. We will survey a number of current and recent conflict zones and use music as a way to deepen our understanding of the identities and relationships between the peoples involved including through a consideration of my own fieldwork in Sri Lanka. Querying the very definitions of music, trouble, and place, the course then broadens out to consider how musicians have been affected by and/or responded to important global problems like slavery, sexual violence, climate change and other ecological disasters, like Hurricane Katrina. Regions to be considered in our lectures and/or readings include: Afghanistan, Iraq, Syria (including Kurdish musics), Israel-Palestine, Sri Lanka, the Maldives, Myanmar/Burma, Uganda, Sierra Leone, North and South Korea, the Marshall Islands, Cambodia, Mexico, and the United States. | NELC054401, ANTH053401 | Cross Cultural Analysis | Crse Online: Sync & Async Components | https://pennintouchdaemon.apps.upenn.edu/pennInTouchProdDaemon/jsp/fast.do?webService=syllabus&term=2021A&course=MUSC053401 | |||
| MUSC 070-001 | Intro Theory&Muscianshp | Anna T Weesner | MW 02:00 PM-03:30 PM | This course will cover basic skills and vocabulary for reading, hearing, performing, analyzing, and writing music. Students will gain command of musical rudiments, including notation, reading and writing in treble and bass clefs, intervals, keys, scales, triads and seventh chords, and competence in basic melodic and formal analysis. The course will include an overview of basic diatonic harmony, introduction to harmonic function and tonicization. Musicianship skills will include interval and chord recognition, rhythmic and melodic dictation and familiarity with the keyboard. There will be in-depth study of selected compositions from the "common practice" Western tradition, including classical, jazz, blues and other popular examples. Listening skills--both with scores (including lead sheets, figured bass and standard notation), and without--will be emphasized. There is no prerequisite. Fulfills College Formal Reasoning and Analysis Foundational Requirement. | Formal Reasoning Course | Course is available to Freshmen and Upperclassmen. Course Online: Synchronous Format |
https://pennintouchdaemon.apps.upenn.edu/pennInTouchProdDaemon/jsp/fast.do?webService=syllabus&term=2021A&course=MUSC070001 | ||||
| MUSC 070-002 | Intro Theory&Muscianshp: Making Sense of Music | Jamuna S. Samuel | TR 12:00 PM-01:30 PM | This course will cover basic skills and vocabulary for reading, hearing, performing, analyzing, and writing music. Students will gain command of musical rudiments, including notation, reading and writing in treble and bass clefs, intervals, keys, scales, triads and seventh chords, and competence in basic melodic and formal analysis. The course will include an overview of basic diatonic harmony, introduction to harmonic function and tonicization. Musicianship skills will include interval and chord recognition, rhythmic and melodic dictation and familiarity with the keyboard. There will be in-depth study of selected compositions from the "common practice" Western tradition, including classical, jazz, blues and other popular examples. Listening skills--both with scores (including lead sheets, figured bass and standard notation), and without--will be emphasized. There is no prerequisite. Fulfills College Formal Reasoning and Analysis Foundational Requirement. | Formal Reasoning Course | Course is available to Freshmen and Upperclassmen. Course Online: Synchronous Format |
https://pennintouchdaemon.apps.upenn.edu/pennInTouchProdDaemon/jsp/fast.do?webService=syllabus&term=2021A&course=MUSC070002 | ||||
| MUSC 070-003 | Intro Theory&Muscianshp | Erin Busch | TR 09:00 AM-10:30 AM | This course will cover basic skills and vocabulary for reading, hearing, performing, analyzing, and writing music. Students will gain command of musical rudiments, including notation, reading and writing in treble and bass clefs, intervals, keys, scales, triads and seventh chords, and competence in basic melodic and formal analysis. The course will include an overview of basic diatonic harmony, introduction to harmonic function and tonicization. Musicianship skills will include interval and chord recognition, rhythmic and melodic dictation and familiarity with the keyboard. There will be in-depth study of selected compositions from the "common practice" Western tradition, including classical, jazz, blues and other popular examples. Listening skills--both with scores (including lead sheets, figured bass and standard notation), and without--will be emphasized. There is no prerequisite. Fulfills College Formal Reasoning and Analysis Foundational Requirement. | Formal Reasoning Course | Course Online: Synchronous Format | https://pennintouchdaemon.apps.upenn.edu/pennInTouchProdDaemon/jsp/fast.do?webService=syllabus&term=2021A&course=MUSC070003 | ||||
| MUSC 070-004 | Intro Theory&Muscianshp | James Andrei Diaz Acosta | TR 09:00 AM-10:30 AM | This course will cover basic skills and vocabulary for reading, hearing, performing, analyzing, and writing music. Students will gain command of musical rudiments, including notation, reading and writing in treble and bass clefs, intervals, keys, scales, triads and seventh chords, and competence in basic melodic and formal analysis. The course will include an overview of basic diatonic harmony, introduction to harmonic function and tonicization. Musicianship skills will include interval and chord recognition, rhythmic and melodic dictation and familiarity with the keyboard. There will be in-depth study of selected compositions from the "common practice" Western tradition, including classical, jazz, blues and other popular examples. Listening skills--both with scores (including lead sheets, figured bass and standard notation), and without--will be emphasized. There is no prerequisite. Fulfills College Formal Reasoning and Analysis Foundational Requirement. | Formal Reasoning Course | Course Online: Synchronous Format | https://pennintouchdaemon.apps.upenn.edu/pennInTouchProdDaemon/jsp/fast.do?webService=syllabus&term=2021A&course=MUSC070004 | ||||
| MUSC 075-301 | Musical Interfaces | Bryan Jacobs | TR 09:00 AM-10:30 AM | Musical Interfaces and Robotics is a skills and discussion-based class for students interested in learning the basics of electricity and physical computing specifically for musical purposes. Discussions will be organized around readings related to art and technology with a focus on sound-based works. Students will learn to program Arduinos that control DC motors and respond to physical buttons or sensors. We will learn how to integrate these tools with music applications that communicate with MIDI such as Reaper, Logic Pro, and/or Max/MSP. As a final project students will present a working prototype for a new instrument they've created or plans for an art installation featuring a kinetic sculptural element. | Course is available to Freshmen and Upperclassmen. Course Online: Synchronous Format |
https://pennintouchdaemon.apps.upenn.edu/pennInTouchProdDaemon/jsp/fast.do?webService=syllabus&term=2021A&course=MUSC075301 | |||||
| MUSC 077-001 | Intro Elec Musicmaking | Christopher Burns | MW 02:00 PM-03:30 PM | An exploration of composition, style, and technique in a variety of popular and experimental electronic music genres. We'll study and practice making works in genres including acousmatic music, beat-driven music such as hip-hop and techno, pop songwriting, and sound art. As we proceed, we'll investigate techniques including field recording, sampling, sound synthesis, and generative music. Within each genre, we'll begin from the analysis and technique of exemplary music, then work towards presentation and group discussion of student composition projects. | Permission Needed From Instructor Course Online: Synchronous Format |
https://pennintouchdaemon.apps.upenn.edu/pennInTouchProdDaemon/jsp/fast.do?webService=syllabus&term=2021A&course=MUSC077001 | |||||
| MUSC 130-001 | Intro To Euro Art Music | Mary C. Caldwell | T 03:00 PM-04:30 PM | This course aims to introduce students to what it means to study the European musical tradition. Students will approach the diverse music that constitute the classical tradition from a variety of scholarly perspectives. The goal of this class is to listen deeply and think broadly. Students will consider questions such as: what sort of object is music? Where is it located? What does it mean to say a work is "canonic"? What is left out of the story? This class will be in dialog with other tier-one classes, and will consider what the historian can bring to the study and understanding of music. Fulfills the requirements of the Music major. | Arts & Letters Sector | Crse Online: Sync & Async Components | https://pennintouchdaemon.apps.upenn.edu/pennInTouchProdDaemon/jsp/fast.do?webService=syllabus&term=2021A&course=MUSC130001 | ||||
| MUSC 170-001 | Theory & Musicianship I | Jamuna S. Samuel | TR 10:30 AM-12:00 PM | Introduction to and development of principles of tonal voice-leading, harmonic function, counterpoint, and form through written analysis, composition, improvisation, and written work. Course covers diatonic harmony and introduction to chromaticism. Repertoires will focus on Western classical music. Musicianship component will include sight-singing, dictation keyboard harmony. Fulfills College Formal Reasoning and Analysis Foundational Requirement. Required of music majors. | Formal Reasoning Course | Course Online: Synchronous Format Registration also required for Laboratory (see below) |
https://pennintouchdaemon.apps.upenn.edu/pennInTouchProdDaemon/jsp/fast.do?webService=syllabus&term=2021A&course=MUSC170001 | ||||
| MUSC 170-101 | Theory and Musicianship I | Kevin C Laskey | W 10:00 AM-11:00 AM | Introduction to and development of principles of tonal voice-leading, harmonic function, counterpoint, and form through written analysis, composition, improvisation, and written work. Course covers diatonic harmony and introduction to chromaticism. Repertoires will focus on Western classical music. Musicianship component will include sight-singing, dictation keyboard harmony. Fulfills College Formal Reasoning and Analysis Foundational Requirement. Required of music majors. | Course Online: Synchronous Format Registration also required for Lecture (see below) |
https://pennintouchdaemon.apps.upenn.edu/pennInTouchProdDaemon/jsp/fast.do?webService=syllabus&term=2021A&course=MUSC170101 | |||||
| MUSC 170-102 | Theory and Musicianship I | Kevin C Laskey | M 10:00 AM-11:00 AM | Introduction to and development of principles of tonal voice-leading, harmonic function, counterpoint, and form through written analysis, composition, improvisation, and written work. Course covers diatonic harmony and introduction to chromaticism. Repertoires will focus on Western classical music. Musicianship component will include sight-singing, dictation keyboard harmony. Fulfills College Formal Reasoning and Analysis Foundational Requirement. Required of music majors. | Course Online: Synchronous Format Registration also required for Lecture (see below) |
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| MUSC 171-001 | Theory & Muscianship II | Jairo A Moreno | T 10:30 AM-12:00 PM | Continuation of techniques established in Theory and Musicianship I. Explores chromatic harmony. Concepts will be developed through analysis and model composition. Musicianship component will include sight singing, clef reading, harmonic dictation and keyboard harmony. Required of music majors. | Crse Online: Sync & Async Components Registration also required for Laboratory (see below) |
https://pennintouchdaemon.apps.upenn.edu/pennInTouchProdDaemon/jsp/fast.do?webService=syllabus&term=2021A&course=MUSC171001 | |||||
| MUSC 171-101 | Theory and Musicianship II | Kevin C Laskey | MW 11:00 AM-12:00 PM | Continuation of techniques established in Theory and Musicianship I. Explores chromatic harmony. Concepts will be developed through analysis and model composition. Musicianship component will include sight singing, clef reading, harmonic dictation and keyboard harmony. Required of music majors. | Crse Online: Sync & Async Components Registration also required for Lecture (see below) |
https://pennintouchdaemon.apps.upenn.edu/pennInTouchProdDaemon/jsp/fast.do?webService=syllabus&term=2021A&course=MUSC171101 | |||||
| MUSC 230-301 | Eras & Tpcs Early Period | Mauro P. Calcagno | F 02:00 PM-05:00 PM | Topic of spring 2021: “Baroque Opera from Monteverdi to Handel.” In this course we will explore, in roughly chronological order, a sample of operas from the Baroque period (ca. 1600-1750) considered in their historical and social contexts of production, transmission, and reception. Although great attention will be given to the first decades of opera’s extraordinary development in Italy (Peri, Caccini, Landi, Monteverdi, Cavalli, Cesti), ample time will also be devoted to works written at the end of the seventeenth-‐century in France (Lully) and England (Purcell), and, finally, to the beginning of the next century, Handel and Rameau in particular. A particular focus of the course will be the investigation of text and music issues, in conjunction with that of rhetoric and the so-‐called affections, involving discussion of the use of the body in the actual staging of the operas. We will look at today’s productions of Baroque operas by discussing directorial choices and issues of performance practice, in relationship to what we know about the visual aspect of operatic stagings during the Baroque period. We will aim at understanding why some of these operas, after being forgotten for long, have been revived in the twentieth and twenty-first centuries, becoming more and more popular in recent years |
Course Online: Synchronous Format | https://pennintouchdaemon.apps.upenn.edu/pennInTouchProdDaemon/jsp/fast.do?webService=syllabus&term=2021A&course=MUSC230301 | |||||
| MUSC 235-401 | Stds African-Amer Music | Guthrie P Ramsey | R 12:00 PM-03:00 PM | This course explores aspects of the origins, style development, aesthetic philosophies, historiography, and contemporary conventions of African-American musical traditions. Topics covered include: the music of West and Central Africa, the music of colonial America, 19th century church and dance music, minstrelsy, music of the Harlem Renaissance, jazz, blues, gospel, hip-hop, and film music. Special attention is given to the ways that black music produces "meaning" and to how the social energy circulating within black music articulates myriad issues about American identity at specific histroical moments. The course will also engage other expressive art forms from visual and literary sources in order to better position music making into the larger framework of African American aesthetics. (Formerly Music 146). | AFRC147401 | Cultural Diversity in the US | Crse Online: Sync & Async Components | https://pennintouchdaemon.apps.upenn.edu/pennInTouchProdDaemon/jsp/fast.do?webService=syllabus&term=2021A&course=MUSC235401 | |||
| MUSC 275-001 | Electronic Music | Eugene Lew | W 03:30 PM-06:30 PM | MUSC275 offers an introduction to electronic music/sound production with a focus on analogue systems and performance. Guest artists will join us for in-class visits and performances during the semester. Meetings will take place in the classroom, in concert spaces and in the studio. Preference given to Music majors and minors for registration. | Course Online: Synchronous Format | https://pennintouchdaemon.apps.upenn.edu/pennInTouchProdDaemon/jsp/fast.do?webService=syllabus&term=2021A&course=MUSC275001 | |||||
| MUSC 278-301 | Composition For Musician | Anna T Weesner | T 12:00 PM-03:00 PM | This seminar will involve exercises in composing as well as free composition. Repertoire from wide-ranging musical styles and genres will be studied in connection with creative work. Attention will be given to the development of skills for productive self-critique and critique of others’ work. We will also focus on skills required for working with live performers, and consider various kinds of improvisation, as well as the role of music notation. Work may be completed in a variety of formats/modes, including with pencil and paper, notation software, recorded audio, and computer-generated audio. Class will meet at the regularly scheduled time, with some adjustments made for occasional asynchronous activities. | Course Online: Synchronous Format | https://pennintouchdaemon.apps.upenn.edu/pennInTouchProdDaemon/jsp/fast.do?webService=syllabus&term=2021A&course=MUSC278301 | |||||
| MUSC 350-301 | Sem in Ethnomusicology | Timothy Rommen | M 02:00 PM-05:00 PM | RESOUNDING 1969 This course is designed to engage students in semester-long research projects, incorporating a variety of archives, material culture, and media in order to introduce them to critical methodologies in the field of music studies. This semester, our efforts will be turned primarily toward popular music and focused entirely on the year 1969. This year is marked by anti-war protest, by activism around civil rights, gay rights, women’s rights, and environmental concerns. It witnessed the moon landing, the last Beatles performance, the Woodstock Festival, the birth of the internet, and the Boing 747, among many other developments. 1969 also produced a staggering wealth of albums that remain classics in their respective genres. Just consider that Abbey Road, Hot Buttered Soul, Stand!, Let it Bleed, Led Zeppelin II, Everyone Knows This is Nowhere, Ummagumma, In a Silent Way, and Tommy, only represent a small fraction of the musical projects that were released that year. |
Permission Needed From Instructor Course Online: Synchronous Format |
https://pennintouchdaemon.apps.upenn.edu/pennInTouchProdDaemon/jsp/fast.do?webService=syllabus&term=2021A&course=MUSC350301 | |||||
| MUSC 530-301 | Composing W/ Electronics: Survey of Electronic Music Techniques | Natacha Diels | W 02:00 PM-05:00 PM | Survey of Electronic Music Techniques This is an overall introduction to using computers and electronics in music composition. All classes are supported by relevant and eclectic historical background, and are divided into lecture and practice. Each class focuses on a single general topic in computer music. The class begins with a history lecture on the specified topic, and proceeds to examine works centered around that topic. There will be suggested reading and weekly assignments. Topics include elementary and advanced sampling techniques, basic digital signal processing, methods of synthesis, human-computer interface, hand-built circuits, and experimental video. By the end of the quarter, the student should have a comfortable grasp of the fundamental topics covered in the class. The primary software taught in this course is Max/MSP; other software may be included according to student interest. This course culminates in a final project, which includes both a written (text) and creative (musical) component. The musical component must be done in Max/MSP. |
Permission Needed From Instructor Course Online: Synchronous Format |
https://pennintouchdaemon.apps.upenn.edu/pennInTouchProdDaemon/jsp/fast.do?webService=syllabus&term=2021A&course=MUSC530301 | |||||
| MUSC 622-301 | Analytical/Thry Approach | Jairo A Moreno | R 01:30 PM-04:30 PM | Our seminar will provide a critical introduction to a set of six clusters that inform contemporary archival and methodological concerns in analytic, ethnographic, and historical research: (i) Social theories beyond agent-structure models (e.g., individual-society, subject-structure, event-context): Actor-Network-Theory and Assemblage Theory; (ii) Affect and Intimacy; (iii) Publics and Scenes; (iv) Sonic Inscription and Forms of Musical “Writing”; (v) Circulation and Mediation; (vi) Infrastructure. The first three clusters will help us rigorously engage with the vexing problem of how to calibrate our work in relation to social scales. The second set of clusters will address an equally challenging issue: musical and sonic materiality. Each cluster is conceived as a constellation assembled from the various disciplines in music and sound studies, but will emphasize readings from diverse disciplines (e.g., anthropology, political theory, sociology, media studies). We will spend two weeks on each cluster. The first week will be dedicated to gathering conceptual resources and engaging critically with them; the second week will focus on a hands-on exercise in which we use our resources to study a particular object | Course Online: Synchronous Format | https://pennintouchdaemon.apps.upenn.edu/pennInTouchProdDaemon/jsp/fast.do?webService=syllabus&term=2021A&course=MUSC622301 | |||||
| MUSC 705-301 | Sem in Ethnomusicology | James Sykes | T 02:00 PM-05:00 PM | Colonial/Postcolonial/Decolonial: Genealogies of Music and Power. Arguably no other term has come to define our political and academic moment than decolonization. But what is decolonization and how does it relate to its ancestor terms, colonial and postcolonial? What is (or was) postcolonial studies and what importance does it maintain in the wake of new theories of decolonization? How should we think of the “precolonial”, and to what extent did precolonial cultural forms persist through colonialism to the present day? In this course, we focus primarily on South Asian Studies, whose writers are foundational for exploring these questions. Along the way, we will consider select texts on the Middle East, Southeast Asia, and the Americas (namely, recent work on decolonization in indigenous studies). Our ultimate aim, however, is to consider how the colonial (in its many temporal variants) has conditioned formations of power in music studies, both as a theme for research and as embedded in our disciplinary structures. Each session of the course will put a text on music into dialogue with one from history or anthropology; in doing so, we will have the opportunity to consider numerous related topics, e.g., secularism; ethnonationalism; anarchy; border regions; the fine arts; media; religion; violence; and environmental studies. |
Course Online: Synchronous Format | https://pennintouchdaemon.apps.upenn.edu/pennInTouchProdDaemon/jsp/fast.do?webService=syllabus&term=2021A&course=MUSC705301 | |||||
| MUSC 710-301 | Studies in Medieval Musi | Mary C. Caldwell | M 02:00 PM-05:00 PM | Music 710: Music and Sounds of Difference in the Global Middle Ages Writing in 1274, the French music theorist Elias Salomo compared the singing of Northern-Italian Lombards to the “howling of wolves.” Decades earlier, Simon of Saint-Quentin recounted a Dominican monk’s description of Mongols singing like bellowing bulls and howling wolves. Bestial metaphors such as these speak to the sonic perception and construction of difference in the Middle Ages. Religious identities resonated in sound too. A 15th-century document asserts that “Saracens say that Christians do not sing but speak deliriously. Conversely Christians report that Saracens swallow their vocalizations and gargle song in their throats” (Stoessel 2014). Music and sound were intimately connected with how difference was constructed and understood, yet, music has rarely been included in broader discourses around the formation of racial, religious, and ethnic difference in the Middle Ages. In this seminar, we will begin connecting discourses around race and ethnic and religious identity and difference to music ca. 800-1500CE. Contact and encounter will guide our discussion, brought about through religion; war and conflict; trade and commerce; education and early universities; travel and religious pilgrimage; settler colonialism; and art and material culture, including musical instruments, among others. The seminar will focus on musical cultures in Europe, North Africa, and Western and Central Asia that were deeply connected with and informed by immigration/migration, travel, trade, and religious/political connections and conflict during the Middle Ages. Seminar participants will be encouraged to develop individual research projects that explore greater geographical breadth and respond to the call for a global history of medieval music. Seminar topics might include: Indigenous music and musicians; dramatic representations of difference; language, multilinguality, and identity; chant traditions; crusade; ethnic and religious expulsions; sound and animality; theories and philosophies of music; proto-nationalism and music. Ability to read modern musical notation is not required. This seminar is designed to coordinate with Music 740 (Prof. Glenda Goodman). |
Course Online: Synchronous Format | https://pennintouchdaemon.apps.upenn.edu/pennInTouchProdDaemon/jsp/fast.do?webService=syllabus&term=2021A&course=MUSC710301 | |||||
| MUSC 740-301 | Stds 18th Century Music | Glenda Goodman | F 02:00 PM-05:00 PM | The Music History of Racial Formation in the Long Eighteenth Century Overview. What did racial difference sound like in the long eighteenth century? Musicologists have devoted considerable attention to the mutual histories of music and race in the modern period. Yet music’s role in the formation of racial ideologies and fantasies long predates the modern period. For European and Euro-American audiences, the eighteenth century set the stage for the racialized audition that continues today. Expanding global trade, accelerating travel, and escalating inter-imperial struggles for power and glory brought intercultural encounters to the forefront of early modern musical experiences. Musical encounters dovetailed with Enlightenment fixations on categorization as well as consumerist desires for exotic “curiosities”--cultural traits that infiltrated musical works, theory, and performance practice. In short: hierarchy, representation, and conflict were all key features of eighteenth-century Western music history. Focusing primarily on the Atlantic world, this course considers how European and Euro-American musics helped to forge categories of race and articulate changes to those categories. Topics include: depictions of the Black diaspora; “playing Indian” and staged Indigeneity; Christian sacred music as a nexus of encounter; musical exoticism and Europe’s internal Others; music and imagined national identity. The course is designed to coordinate with Music 710 (Prof. Mary Caldwell). |
Permission Needed From Instructor Course Online: Synchronous Format |
https://pennintouchdaemon.apps.upenn.edu/pennInTouchProdDaemon/jsp/fast.do?webService=syllabus&term=2021A&course=MUSC740301 | |||||
| MUSC 998-001 | Composer's Forum | Anna T Weesner | T 03:00 PM-05:00 PM | Composer's Forum is a regular meeting of graduate composers, often along with other members of the Penn composing community, in which recent performances are discussed, musical issues taken up, and visitors occasionally welcomed to present their work or offer master classes. In addition to weekly Forum meetings, students will be paired with a composer for individual lessons in composition. Ph.d. Candidates in Composition in their third year in the program will continue non-credit participation in both forum and lessons. | Course Online: Synchronous Format Registration also required for Recitation (see below) |
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| MUSC 998-201 | Composition Lessons | Natacha Diels | Composer's Forum is a regular meeting of graduate composers, often along with other members of the Penn composing community, in which recent performances are discussed, musical issues taken up, and visitors occasionally welcomed to present their work or offer master classes. In addition to weekly Forum meetings, students will be paired with a composer for individual lessons in composition. Ph.d. Candidates in Composition in their third year in the program will continue non-credit participation in both forum and lessons. | Crse Online: Sync & Async Components Registration also required for Lecture (see below) |
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| MUSC 998-202 | Composition Lessons | Tyshawn Sorey | CANCELED | Composer's Forum is a regular meeting of graduate composers, often along with other members of the Penn composing community, in which recent performances are discussed, musical issues taken up, and visitors occasionally welcomed to present their work or offer master classes. In addition to weekly Forum meetings, students will be paired with a composer for individual lessons in composition. Ph.d. Candidates in Composition in their third year in the program will continue non-credit participation in both forum and lessons. | Crse Online: Sync & Async Components Registration also required for Lecture (see below) |
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| MUSC 998-203 | Composition Lessons | Anna T Weesner | Composer's Forum is a regular meeting of graduate composers, often along with other members of the Penn composing community, in which recent performances are discussed, musical issues taken up, and visitors occasionally welcomed to present their work or offer master classes. In addition to weekly Forum meetings, students will be paired with a composer for individual lessons in composition. Ph.d. Candidates in Composition in their third year in the program will continue non-credit participation in both forum and lessons. | Crse Online: Sync & Async Components Registration also required for Lecture (see below) |